The understanding and enjoyment of a work of art depends as much on the story it depicts as on the artist's execution of it. But what were once biblical or classical commonplaces are not so readily recognizable today. This book relates in a succinct and readable way the themes, sacred and secular, on which the repertoire of Western art is based. Combined here in a single volume are religious, classical, and historical themes, figures of moral allegory, and characters from romantic poetry that appeared throughout paintings and sculpture in Western art before and after the Renaissance. More than just a dictionary, this text places these subjects in their narrative, historical, or mythological context and uses extensive cross-referencing to enhance and clarify the meanings of these themes for the reader.

The definitive work by which others are compared, this volume has become an indispensable handbook for students and general appreciators alike. This wholly redesigned second edition includes a new insert of images chosen by the author, as well as a new preface and index to highlight the ideas, beliefs, and social and religious customs that form the background of much of this subject matter.

This lively and rigorous book provides guidance on planning and conducting postgraduate research. Divided into four parts, each of which looks at a different stage of the process, it covers everything from choosing a research area and selecting appropriate methodologies to analysing data and learning from feedback. Chapters contain both active and reflective tasks to help readers develop the skills needed to produce a high-quality dissertation or thesis and offer supportive advice on establishing successful working relationships with supervisors and peers.

Clear and accessible in its approach, this book is an indispensable introduction to successful research for postgraduates of all disciplines.

Jamaica used to be the source of much of Britain's wealth, a tropical paradise for the planters, a Babylonian exile for the Africans shipped to the Caribbean. It became independent in 1962.

Jamaica is now a country in despair. It has become a cockpit of gang warfare, drug crime and poverty. Haunted by the legacy of imperialism, its social and racial divisions seem entrenched. Its extraordinary musical tradition and physical beauty are shadowed by casual murder, police brutality and political corruption.

Ian Thomson shows a side of Jamaica that tourists rarely see.He met ordinary Jamaicans in their homes and workplaces; and his encounters with the white elite, who still own most of Jamaica's businesses and newspapers, are unforgettable. Thomson brings alive the country's unique racial and ethnic mix; the all-pervading influence of the USA; and the increasing disillusionment felt by its people, who can't rely on the state for their most basic security. At the heart of the book is Jamaica's tense, uneasy relationship with Britain, to whom it remains politically and culturally bound.