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For 200 years after 1650 the West Indies were the most fought-over colonies in the world, as Europeans made and lost immense fortunes growing and trading in sugar - a commodity so lucrative that it was known as white gold.
Young men, beset by death and disease, an ocean away from the moral anchors of life in Britain, created immense dynastic wealth but produced a society poisoned by war, sickness, cruelty and corruption.
The Sugar Barons explores the lives and experiences of those whose fortunes rose and fell with the West Indian empire. From the ambitious and brilliant entrepreneurs, to the grandees wielding power across the Atlantic, to the inheritors often consumed by decadence, disgrace and madness, this is the compelling story of how a few small islands and a handful of families decisively shaped the British Empire.
Critical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness.
This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.
Key features of the new edition include:
- a completely new chapter on the media
- extended coverage of social divisions to include disability, youth and old age as well as class, gender and race
- clearer and more compact treatment of social theory, incorporating discussion of work by such contemporary theorists as Habermas, Giddens and Beck
- an even stronger blend of theoretical, empirical and illustrative material, consolidating the critical and applied approach that is one of the text's most well-liked defining features
With outstanding presentation and pedagogical support for the student and hard-pressed lecturer alike, the text includes:
- an Instructor's Resource Pack, complete with powerpoint slides, available on the Palgrave website (or in hardcopy for adopters of the textbook, by written request)
- a detailed and extensive glossary - practically a 'mini dictionary' of sociology in its own right and an ideal reference tool
- chapter-specific further reading lists, annotated for further guidance and support
- questions to think about, which can be used as the basis for essays, class discussion and further study
- pictures, figures, graphs and tables.
KEVIN BONNETT is Professor and Director of the School of Social Sciences and Law, Sheffield Hallam University.
PIP JONES is Principal Lecturer in Sociology at Anglia Polytechnic University.
DAVID SKINNER is Head of Sociology and Politics at Anglia Polytechnic University.
MICHELLE STANWORTH was formerly Professor of Sociology and Women's Studies at Anglia Polytechnic University.
TONY LAWSON is Senior Lecturer in Social Science at the University of Leicester.
ANDREW WEBSTER is Professor of Sociology at the University of York.
The second edition of the acclaimed Routledge Companion to Aesthetics contains fifty-four chapters written by leading international scholars covering all aspects of aesthetics.
This companion opens with an historical overview of aesthetics including entries on Plato, Aristotle, Kant, Nietzsche, Heidegger, Sibley and Derrida. The second part covers the central concepts and theories needed for a comprehensive understanding of aesthetics including the definitions of art, taste, value of art, beauty, imagination, fiction, narrative, metaphor and pictorial representation. Part three is devoted to the topics that have attracted much contemporary interest in aesthetics including art and ethics, environmental aesthetics and feminist aesthetics. The final part addresses the individual arts of music, photography, film, literature, theatre, dance, architecture and sculpture.
With nine new and revised entries, and up to date suggestions for further reading, The Routledge Companion to Aesthetics is essential for anyone interested in aesthetics, art, literature, and visual studies.