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Gendered Realities is an interdisciplinary reader that situates the present understanding of Caribbean feminist scholarship after fifteen years of indepth and increasingly sophisticated research. The book provides a space for scholars to put forward new and challenging ideas and attempts to encourage new contributors to intellectual thought in the Caribbean. The essays deal with diverse and rich topics including the role of women in Caribbean art and the visual grammars of gender in early Caribbean painting as well as the development of women's history and gendered history in relation to the historiography of the English-speaking Caribbean. Other essays probe the representation of masculinity in Caribbean feminist thought, gender and adult sexuality, and symbols of masculinity in visual art. Of interest to scholars in gender studies, women's studies, minority studies, and Caribbean history and culture.

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Valuable compilation of essays on education issues in Creole and Creole-influenced vernacular contexts. Essays divided into sections: Caribbean Language Education, Background to Caribbean Language (i.e., Caribbean English), Policy Issues and Perspectives on Vernacular Education in the Caribbean, among others.

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Why people eat what they do and how they prepare it is an important means of studying a culture. This work reveals food and cultural practices in Jamaica from the time of the earliest Taino inhabitants through the introduction of different foodways by enslaved cultures, to creole adaptations to the fast-food phenomena.

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This volume is an account of the development and destruction of slavery in St Thomas, St John and St Croix, the Caribbean islands which today comprise the US Virgin Islands. The book sees slavery as fundamental to the entire fabric of colonial society, and pays particular attention to the social and political life of the whites and freedmen in interaction with the slaves. The Danish West Indian colonies contained a small but significant part of the slave population of the Caribbean. Each of the islands had a distinct history during the period of slavery: St Croix was the scene of a full-blown sugar plantation economy; St Thomas served as a major entrepot, with a small plantation sector and a large role in the transatlantic slave trade; St John developed as a plantation economy, but for various reasons the slaves came to engage in relatively independent economic activity. Resistance to slavery was persistent, with important rebellions occurring in St John and St Croix. Although Denmark was the first European nation to abolish the slave trade, emancipation did not come until 1848, so that the gap between abolition and emancipation was longer than in most territories. Thus, the study of slave society in the Danish West Indies has much to tell about the nature of Caribbean history generally. Based on extensive research in the Copenhagen archives, this book makes an original contribution to the understanding of slave societies throughout the Americas.

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These plenary lectures from the Global Reggae conference convened at the University of the West Indies, Mona, Jamaica in 2008 eloquently exemplify the breadth and depth of current scholarship on Jamaican popular music. Radiating from the Jamaican centre, these illuminating essays highlight the glocalization of reggae  its global dispersal and adaptation in diverse local contexts of consumption and transformation.

The languages of Jamaican popular music, both literal and metaphorical, are first imitated in pursuit of an undeniable originality. Over time, as the music is indigenized, the Jamaican model loses its authority to varying degrees. The revolutionary ethos of reggae music is translated into local languages that articulate the particular politics of new cultural contexts. Echoes of the Jamaican source gradually fade. But new hybrid sounds return to their Jamaican origins, engendering polyvocal, cross-cultural dialogue.

From the inter/disciplinary perspectives of historical sociology, musicology, history, media studies, literature, anthropology, sociology, cultural studies, the creative/cultural industries and, above all, the metaphorical life sciences, the contributors to this definitive volume lucidly articulate a cultural politics that acknowledges the far-reaching creativity of small-islanders with ancestral memories of continents of origin.

The globalisation of reggae music and its wild child dancehall is, indeed, an affirmation of the unquantifiable potential of the Jamaican people to reclaim identities and establish ties of affiliation that are not circumscribed by the Caribbean Sea: To the world!

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The contribution made to Britain's wealth by its Caribbean colonies is well known. Far less known - indeed dismissively ignored - are the contributions made over the centuries by West Indians to Britain's hard-won military victories, most notably in the two World Wars.At last this injustice has been redressed. In this single volume, the authors tell the compelling story of the Caribbean during nearly five centuries of warfare from the time of Columbus to the present decade; of how West Indians consistently rallied to Britain's side in its many years of peril, volunteered for service in its armed forces or more recently also for work in its wartime factories and forests. The book spotlights the deeds and hardships of West Indian soldiers long engaged in Africa and the Middle East, and of the many who enlisted too in the air forces and merchant navies of the Allies.And it describes the ferocious German submarine campaign in Caribbean waters, the impact that it had on life in the islands and how it was defeated; and it defines also the consequences - social, political and economic - of the World Wars on both the British West Indies and the United Kingdom. Above all, this book is written as a tribute to every West Indian veteran of Britain's wars; also to foster in the generation now growing up an awareness of the sacrifices of their forebears and pride in their achievements.

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In Burning for Freedom: A Theology of the Black Atlantic Struggle for Liberation, Delroy A. Reid-Salmon explores the reasons behind the abolition of slavery in the Black Atlantic World by examining the Sam Sharpe Revolt. Through this examination, secular bases for human liberation - liberation theories that espouse socio-political reasons among the enslaved for wanting freedom as well as espouse human self reliance and sovereignty over their own lives - are challenged. Instead, Reid-Salmon posits the belief that liberation in the Black Atlantic World was as a direct result of the manifestation of the work of God in human existence; the Sam Sharpe Revolt was theological act signifying the revelation and involvement of God in history to set the oppressed free. As the first major theological study and interpretation of the Sam Sharpe Revolt, Burning for Freedom places faith in God and the promise of God as established in events such as The Exodus Story, The Prophetic Tradition and the Gospel of Jesus Christ as the bases for human liberation, which enabled and engendered freedom in the Black Atlantic World.

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Caribbean revisioning of British literature is well established in creative work where it expresses itself in rewriting and writing back. In addition, Caribbean literary criticism has included an occasional rereading of imperial text (like Shakespeare's ""Tempest"") that seems immediately applicable to Caribbean culture. Part of mature Caribbean discourse must be a wider application of the Caribbean experience to demystifying an imperilled tradition.British literature, from the medieval to the postmodern, has been the training ground of Caribbean authors, poets and critics, and continues to be taught at secondary and tertiary levels throughout the region and in a wide range of countries that share the region's history of colonialism. Little has been done, however, to integrate Caribbean approaches to the canon.""Postcolonialisms"" interrogates the place of early English verse in relation to the British canon, proposing that the first postcolonial literature in English was English itself, a vernacular literature developing from a series of contact situations and evolving as a mechanism of resistance. The enquiry integrates several approaches to textual study, drawing together on the one hand, postcolonial and Caribbean criticism and, on the other, methods of historical and contact linguistics, and applying these within a framework of thought consistent with New Medievalism.The text is framed to discuss that the society that produced Middle English literature was built on a past of contact, conquest and dispossession, with lyrics reflecting a worldview in which individual human stature shrinks and insecurity intensifies. Major texts reread include the ""Canterbury Tales"", ""Piers Plowman"" and ""The Pardoner's Prologue"".

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Originally published in 1952, Six Great Jamaicans contains biographical sketches of influential Jamaicans who laid the foundation for modern Jamaica: Bishop Enos Nuttall, George William Gordon, Robert Love, Thomas Henry MacDermot, Edward Jordon, and Herbert George de Lisser.

The influence of these men continues to be felt in the areas of politics, religion, literature, journalism, and nationhood but sadly, their names and works have been hidden in obscure publications buried in research library collections.

This new edition, published by the National Library of Jamaica, contains a new introduction by Professor Matthew Smith which underscores the relevance of the enduring legacies of these six figures to present-day Jamaica and sets the foundation for an appreciation of the contributions of Jamaicans from all walks of life in the continuing struggle for national self-definition from the early days of Emancipation and the movement for self government, to the present day.

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W. Adolphe Roberts was born in Kingston and brought up in Manchester; the native parish of both his parents. He started as a reporter on the Daily Gleaner at the age of 16, went to the United States at 18 and worked in that country on newspapers and magazines for many years. He was a war correspondent in France for the Brooklyn Daily Eagle during most of the First World War. Making Caribbean history his speciality, in 1930 he devoted himself to the writing of books on a wide range of subjects, including poetry, history, and fiction. He died in 1962.