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Indo-Caribbean Indenture"" investigates the relatively little-studied but growing field of the experiences of East Indians in the Caribbean from their arrival in 1838 to the end of indentureship in 1920. It places the indenture period into a larger socio-economic framework of imperialism, the post-slavery attempt to solve the labour shortage and the gender-relations which overarched the whole transaction in human bodies. By utilizing a new analytical perspective offered by current writers on the subject of the subaltern, the work departs from the usual historical approach and offers a fresh interpretation. The work will be of particular interest to historians, sociologists and social scientists who focus on the Caribbean, migration, ethnicity, gender studies, peasant resistance, labour history and cultural continuity and change.

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Characterized by fast-paced, highly danceable rhythms, chutney is a fusion of traditional and contemporary Indian and Caribbean influences. In this volume Tina K. Ramnarine explores the evolution of chutney and introduces the emerging Indian-Caribbean genre into the area of scholarly discourse. Through analysis of the music, Ramnarine provides insights into social processes, effects of the diasporic settlements and ways the music operates as a symbol of Indian-Caribbean identity. This introduction of new cultural elements is a common occurrence among people transplanted to an unfamiliar geographical and cultural environment.

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Between Self-Determination and Dependency analyses the nature and trajectory of Jamaica's foreign relations from 1972 to 1989. The central argument is that the relative autonomy of the Jamaican state declined due to the evolution of a new international regime which in effect disallowed the political, social and economic experimentation originally envisioned. Neither the attempt at radical nationalism by the People's National Party, nor the 'accommodationist' stance of the Jamaica Labour Party served to reduce Jamaica's structural dependency. The analysis factors in the political and economic interests and policies of both domestic and foreign social forces as they negotiated the foreign policies of the Jamaican state. Thus, the text employs a more holistic perspective. It departs from earlier studies that tended to focus on the diplomatic history of the country's foreign relations without illuminating the various co-determinants that defined the context of state action.

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This book is a study of how African slave and freed women used their fashion and style of dressing as a symbol of resistance to slavery and accommodation to white culture in pre and post-emancipation society. Africans brought aspects of their culture such as folklore, music, language, religion and dress with them to the Americas. The African cultural features were retained and nurtured in Jamaica because they guaranteed the survival of Africans and their descendants against European attempts at cultural annihilation. This book illuminates the complexities of accommodation and resistance, showing that these complex responses are not polar opposites, but melded into each other. In addition, the Language of Dress reveals the dynamics of race, class and gender in Jamaican society, the role of women in British West Indian history and contributes to ongoing interest in the history of women and in the history of resistance.