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A promise to return to a place that has changed you, where youve lived and loved with the intensity and passion of youth, is often made but rarely kept. This provocative memoir begins with such a promise, made in 1962 by three young American women  the author among them  on a windy mountaintop overlooking the Caribbean Sea. Using tools of the historian, novelist and poet to share memories of her experiences and emotional journey, Gail Porter Mandell offers an unaccustomed perspective on Belize in the waning days of colonial rule, with political and cultural revolutions brewing.

Seen through eyes opened wide, the seaside town of Angel Creek and its diverse cast of characters  Garifuna, Creole, Latino, Amerindian, Asian, European and American  come alive. Years later, a surprise-filled return journey affirms that human relationships can transcend racial and cultural differences  and even time.

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Indo-Caribbean women writers are virtually invisible in the literary landscape because of cultural and social inhibitions and literary chauvinism. Until recently, the richness and particularities of the experiences of these writers in the field of literature and literary studies were compromised by stereotypical representations of the Indo-Caribbean women that were narrated from a purely masculine or an Afrocentric point of view. This book fills an important gap in an important but underestimated emergent field. The book explores how cultural traditions and female modes of opposition to patriarchal control were transplanted from India and rearticulated in the Indo-Caribbean diaspora to determine whether the idea of ""cultural continuity"" is, in fact, a postcolonial reality or a fictionalized myth. The Indian women who braved the treacherous crossing of the Atlantic, or the kala pani, to Trinidad and Guyana provided courage, determination, self-reliance and sexual independence to their literary granddaughters who in turn used the kala pani as the necessary language and frame of reference to position Indo-Caribbean female subjectivity with equating writing as a pubic declaration of one's identity and right to claim creative agency. The book is of critical interest to those interested in twentieth-century literary studies, Caribbean studies, gender studies, ethnic studies and cultural studies.

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The re-publication of Lionheart Gal marks an event unique in contemporary literature. It is the distillation of the Jamaican womans experience in fifteen compelling life stories from the internationally known Sistren Theatre Collective.

Since 1977 the women of Sistren have been exploring the lives of Caribbean women, from which they create plays, workshops and screen prints for presentation throughout the Caribbean and elsewhere. This book is based on testimonies from Sistren collected and edited by Honor Ford-Smith into a vivid record of womens lives. The stories retain all the emotional depth of works of the imagination; yet they are at the same time invaluable records of oral history. Scholars of language, culture, politics and literature will need this book; the general reader will revel in it.

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Employing critical analysis of Caribbean intellectual thought and of the postcolonial political economy, Brian Meeks sets about proposing a manifesto for the future. What emerges is a programme for the medium term, which is pragmatic in its efforts to deal with the current crisis without engaging in the romanticism of an all-encompassing revolutionary transformation. Meeks suggests a form of participatory reorganization without, necessarily, dismantling the fundamentals of formal democratic organization. Particular emphasis is placed on rural agro-producers because their empowerment, politically and economically, resolves the problem of elite domination while creating the conditions for economic democracy. He argues, finally, that the proposals can become the basis for a more fundamental social and intellectual transformation from, following Sylvia Wynter, ""man"" to ""human"", based on democracy, community and solidarity.

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Rock it Come Over describes the music and lore of slavery from the early sixteenth century through emancipation in 1838 to the mid twentieth century. Lewin explores the role of music in the lives of the slaves as a method of communication, as a form of resistance and subversion, as a repository of oral history and beliefs, and, ultimately, as a means of survival. The work is based on decades of research into the music sung and played by the working people of Jamaica. Lewin relates the music to traditions that preserve an African way of life, such as Revivalism and its strong heritage of faith and worship. She has a special interest in the Kumina cult and describes in detail the life and beliefs of Kumina queen, Imogene 'Queenie' Kennedy. Rock it Come Over is the most extensive study of Jamaican folk music yet published. It is also an examination of the roots of that music and a record of the folk heritage that is, in spite of many efforts, rapidly retreating before the pressures of life today.

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The increasing visibility of individuals engaging in small-scale business enterprises outside formal wage employment has been a topic of debate for many years, in many countries. The Caribbean Community (CARICOM) is no exception. In fact, the informal economy has become a persistent feature of the regions economic landscape and has been thriving, as documented by leading Caribbean scholars.

Informal Commercial Importers in CARICOM is the first book to examine the various dimensions of informal commercial importing from an aggregate CARICOM perspective, emphasizing the economic dimensions and providing three empirical surveys of informal commercial importing in Guyana, Dominica and Jamaica. Roger Hosein and Martin Franklin provide a rich survey of the literature on shuttle trading, which aids in contextualizing the range of factors that has given rise to shuttle trading in CARICOM and enabled its longevity. They discuss the possible effects of formalizing the informal trade in CARICOM economies and propose strategies that can aid in this formalization process.

While this book is written to appeal to an academic audience, it also provides essential reading for policymakers, research scholars and practitioners alike, and it provides a foundation for further studies of the shuttle trade in a changing Caribbean.

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Valuable compilation of essays on education issues in Creole and Creole-influenced vernacular contexts. Essays divided into sections: Caribbean Language Education, Background to Caribbean Language (i.e., Caribbean English), Policy Issues and Perspectives on Vernacular Education in the Caribbean, among others.

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Why people eat what they do and how they prepare it is an important means of studying a culture. This work reveals food and cultural practices in Jamaica from the time of the earliest Taino inhabitants through the introduction of different foodways by enslaved cultures, to creole adaptations to the fast-food phenomena.

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The contribution made to Britain's wealth by its Caribbean colonies is well known. Far less known - indeed dismissively ignored - are the contributions made over the centuries by West Indians to Britain's hard-won military victories, most notably in the two World Wars.At last this injustice has been redressed. In this single volume, the authors tell the compelling story of the Caribbean during nearly five centuries of warfare from the time of Columbus to the present decade; of how West Indians consistently rallied to Britain's side in its many years of peril, volunteered for service in its armed forces or more recently also for work in its wartime factories and forests. The book spotlights the deeds and hardships of West Indian soldiers long engaged in Africa and the Middle East, and of the many who enlisted too in the air forces and merchant navies of the Allies.And it describes the ferocious German submarine campaign in Caribbean waters, the impact that it had on life in the islands and how it was defeated; and it defines also the consequences - social, political and economic - of the World Wars on both the British West Indies and the United Kingdom. Above all, this book is written as a tribute to every West Indian veteran of Britain's wars; also to foster in the generation now growing up an awareness of the sacrifices of their forebears and pride in their achievements.

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Caribbean revisioning of British literature is well established in creative work where it expresses itself in rewriting and writing back. In addition, Caribbean literary criticism has included an occasional rereading of imperial text (like Shakespeare's ""Tempest"") that seems immediately applicable to Caribbean culture. Part of mature Caribbean discourse must be a wider application of the Caribbean experience to demystifying an imperilled tradition.British literature, from the medieval to the postmodern, has been the training ground of Caribbean authors, poets and critics, and continues to be taught at secondary and tertiary levels throughout the region and in a wide range of countries that share the region's history of colonialism. Little has been done, however, to integrate Caribbean approaches to the canon.""Postcolonialisms"" interrogates the place of early English verse in relation to the British canon, proposing that the first postcolonial literature in English was English itself, a vernacular literature developing from a series of contact situations and evolving as a mechanism of resistance. The enquiry integrates several approaches to textual study, drawing together on the one hand, postcolonial and Caribbean criticism and, on the other, methods of historical and contact linguistics, and applying these within a framework of thought consistent with New Medievalism.The text is framed to discuss that the society that produced Middle English literature was built on a past of contact, conquest and dispossession, with lyrics reflecting a worldview in which individual human stature shrinks and insecurity intensifies. Major texts reread include the ""Canterbury Tales"", ""Piers Plowman"" and ""The Pardoner's Prologue"".