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The Caribbean Heritage series is designed to publish new editions of historically significant works of fiction from our region. The first three volumes in the series comprise four Trinidadian novels published between 1838 and 1907. A substantial introduction and thorough annotations contextualize each of the original texts. The first volume in the series is E.L. Joseph's Warner Arundell: The Adventures of a Creole. The second volume includes two novels: Adolphus, A Tale, and Mrs Wilkins's The Slave Son. The third volume in the series presents Stephen Cobham's novel Rupert Gray, first published in 1907. Like the other novels in the series, this work also contains a strong political impetus, typical of West Indian novels, including support for the rights of all races. Together these four texts establish evidence of a much older and deeper local literary foundation than hitherto realized. This novel was written in Trinidad by a black or mixed-race teacher then law clerk, who also wrote poems and gave public lectures on literary topics. The character of Rupert Gray was apparently based on that of Henry Sylvester Williams, a black lawyer educated in England, who was a major figure in the Pan-African Association. The novel traces the love affair of Rupert Gray, a Negro accountant, and Gwendoline Serle, the daughter of a white businessman in Trinidad. The couple's interracial courtship is marked by parental disapproval, society's scorn and the loyalty of friends. A series of tragic events culminates in a melodramatic courtroom scene.

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Earl Lovelace is a major Caribbean writer, one of the few of his generation to have lived in and written almost exclusively from the region. With sharp observation and even sharper wit, his writing pulses with the rhythm, flow and vibrancy of the lives of ordinary people, whose culture and language he champions.

Lovelace explores the intricacies of his multicultural society as it grapples with a legacy of slavery, indentureship and colonialism and faces the challenges of independence and new nationhood, and he does so with compassion and true understanding.

In this brief but rich biography, Funso Aiyejina explores the writer and his work with the intimacy of a friend and the perceptiveness of a scholar. Lovelace himself is as storied as one of his characters, and the man and his life shine through. This biography is essential reading for any student of Caribbean literature, and will be equally compelling for a general reader.

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The contributors to this collection address a range of issues in Caribbean linguistics. At this stage of Caribbean development, it is critical that we have a broader appreciation of the significance of the languages of the region for developing a deeper sense of self and for understanding others who have shared a common Caribbean experience. The linguists in this volume interrogate the interpretations of the history of our Caribbean languages, the use of these languages for literary expression and their role in the democratization of education and the development of Caribbean people. Several of the articles deal with profoundly controversial topics, including the question of competence in a Creole environment; the expansion of Rastafarianism globally and how word-formation devices reflect Rastafarian thinking; the use of the vernacular in West Indian education; the relevance of vernacular literacy for education; the use of Creole in Caribbean literary texts; and how to determine dialect boundaries, especially in linguistic situations in which Creoles from two distinct lexical bases vie for social space and supremacy. The work is dedicated to the distinguished Caribbean linguist Pauline Christie and celebrates her contribution to the study of linguistics in the Caribbean.