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First published in 1976, work is a masterful analysis of the dynamics of slave labor in the economic growth of early-19th-century Jamaica.

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This work is a collection of articles written over many years as well as unpublished new scholarship that explores the common themes of race and class in the Caribbean and overcoming social domination. The essays consider abstract political theory (Marxism and critical and race theory) and also focus on specific Caribbean issues and events such as the portrayals of the Jamaican left, the collapse of the Grenada Revolution and the significance of the affirmation of personhood in a racist society, but all share a concern with overcoming of social domination and are 'radically' oriented. The title has a double meaning insofar as it signifies both the application of radical theory to the Caribbean reality, and the way in which that reality has too often collided with the theory, revealing its inadequacies. As Mills explains, 'The overall aim is to elucidate some classic subjects and themes in radical theory, both generally and with local Caribbean application, and to map in the process a trajectory of intellectual development not peculiar to my own history but traced by many others of my generation also'.

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The Empowering Impulse is a significant contribution to the historiography of Barbados and will inform discourses on Barbadian nationalism. In Barbados, as elsewhere in the Caribbean, national identity historically emerged in response to economic, political and cultural forms of domination. The authors of these chapters proffer comments on how Barbadian attitudes and modes of behaviour have been shaped by class rule and hegemony, state policy, public institutions, and class resistance. The book makes available data on the Barbadian nationalist enterprise, with the hope that it will stimulate more research by other historians, social scientists and social commentators on the issues addressed in the work.

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Reggae Stories provides a range of perspectives on the development of Jamaican popular music and culture, in particular reggae and dancehall, and opens the door to new debates on these music forms and their producers and creators. It moves through early musical debates and incendiary intellectual contributions in Jamaican reggae to trace Jamaican popular music in new geographical locales, and then returns home to contemporary dancehall posturing. The contributors to this collection incorporate a range of approaches that include cultural studies, musicological analysis, lyrical analysis and historical contextualization.

The collection makes a seminal contribution with its presentation of significant work on reggae music in the Hispanic Caribbean (Mexico), particularly for the benefit of English speakers who may have faced restrictions in accessing such material. In a similar vein, the work also introduces material on reggae music in the former Soviet Union (Belarus), again opening spaces that may have been hidden from the anglophone debates. The work also makes another significant contribution in tackling Peter Toshs intellectual and lyrical legacy as a reggae revolutionary in an era where he has received scant literary and academic attention. Additionally, the work adds considerably to contemporary debates on dancehall music and cultures post-millennial identity debates by introducing a critical academic discourse on the lyrical and cultural posturing of popular dancehall artistes Tommy Lee and Vybz Kartel.

ReggaeStories spans several important and connected points in the debates around adoption and adaptation of Jamaican popular music and culture in different cultural and geographical contexts and extends the discussion on how these musical and cultural forms have been transformed or retained in differing localities.

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This study documents how William Hart Coleridge, the first Anglican bishop of Barbados and the Leewards, executed the new mandate of the Anglican church between 1824 and 1842. When the British Government turned to the Established Church for assistance in the amelioration of the condition of the enslaved population in the West Indian colonies, two new Sees of Jamaica and Barbados and the Leeward Islands were created in 1824 and two new Bishops were appointed, Coleridge and Christopher Lipscomb. The book focuses on Coleridge's episcopate in Barbados, discussing the Colonial Church before his appointment, the circumstances of his appointment, his role, and the question of his jurisdiction; how he increased accommodation for worshipers by providing Chapels of Ease and Chapel Schools; how he set up the administration in his diocese, recruited clergy, and provided training by reorganizing Codrington College; his work in education, especially among the working class; how he guided the pastoral care of the Church, especially for the enslaved population; his involvement in emancipation and apprenticeship and his promotion of social institutions to help emancipated slaves live as free citizens; and his departure from the island and his diocese due to failing health, how it was administered in his absence, and its division into three Sees in 1842