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Haiti, its revolution and its culture remain largely unknown or misunderstood in the English-speaking world. This collection of essays seeks to both elucidate aspects of Haitian history and culture and provoke interest in readers and scholars for further research in these fields. Several general guiding questions connect the essays: What were, what are the cultural repercussions of Haiti's revolution, in Haiti and elsewhere? What is the truth of Haiti, its history, its intellectual traditions, its culture? What role has culture played in shaping Haiti's history, and conversely, how has Haiti's history determined, inspired, liberated and restricted Haitian culture and thought? In a land that has constantly relived its past, how can we imagine a Haitian future? Can we rethink history and memory? Can an understanding of post-independence culture and thought point tentatively to a way out of the traps of the past, without effecting a counterproductive forgetting of the revolution? Framed by two essays by Rene Depestre, the chapters offer diverse approaches to these questions: the history of Haitian revolutionary universalism; the idea of the Caribbean's historical lack and its application to Haiti; the relationship between personal and political revolutions in Yanick Lahens's fiction; the attempt to write personal history in Edwidge Danticat's work; the role of Haiti and the revolution in forming ideas of ""race""; the importance of the nineteenth-century Haitian intellectual Antenor Firmin in the development of the discipline of anthropology; the influence of St. Domingue refugees in the genesis of New Orleans jazz; the prevalence of the ""Haytian Fear"" narrative in nineteenth-century Trinidad; and the many and diverse post-independence representations of Toussaint Louverture. This book will be of interest to students and readers of Haitian literature, history and culture, as well as those interested in broader Caribbean studies, postcolonial studies and African-American studies.

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Rihanna is arguably the most commercially successful Caribbean artist in history. She is Barbadian and has been unwavering in publicly articulating her national and regional belongings. Still, there have been varied responses to Rihannas ascendancy, both in the Barbadian public and Caribbean community at large  responses that reveal as much about our own national/regional anxieties as they do about the artist herself. The cutting edge, boundary-transgressing, cultural icon Rihanna is certainly subject to moralistic scrutiny from her global audiences as well; however, the essays in this collection purposely seek to de-centre the dominance of the Euro-American gaze, focusing instead on considerations of the Caribbean artist and her oeuvre from a Caribbean postcolonial corpus of academic inquiry. To this end, Rihanna: Barbados World Gurl in Global Popular Culture brings together U.S. and Caribbean based scholars to discuss issues of class, gender, sexuality, race, culture, and economy.

Using the concept of diasporic citizenship as a central theoretical frame, this book intervenes in current questions of national and transnational circuits of exchange as they pertain to the commoditization and movement of culture, knowledge, values, and identity. The contributors- drawing from literature, history, musicology, sociology, cultural studies, feminist, gender, and queer studies, the creative/cultural industries and political science - approach the subjects of Rihanna, globalization, gender and sexuality, commerce, transnationalism, Caribbean regionalism, and Barbadian national identity and development, from different disciplinary and at times radically divergent perspectives. At the same time, the essays collectively work through the limitations, possibilities and promise of our best Caribbean imaginings.

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My Political Journey is P.J. Pattersons account of his time as an active and successful participant in the political and social development of Jamaica and the Caribbean, from the mid-1950s well into the early 2000s. He was widely regarded as a master political strategist and universally acknowledged as an astute negotiator.

Jamaica is an enigma: its global impact belies its population and geographical size. This story of one of its most exceptional citizens is an enlightening revelation of the islands political and cultural narrative. Patterson was born in 1935, the dawn of a new era in the development of Jamaica and the Caribbean. A previously disenfranchised population would gain a voice through universal adult suffrage and have a say in the direction of the nations affairs. Within a few decades, an independent nation would emerge to make a significant impact on the global landscape. Patterson is both a product of this new Jamaica and one of its architects, and his is a compelling and intimate account of a dramatic era for the young nation.

P.J. Patterson led his country with distinction, implementing policies and programmes to foster social renewal and the development of a modern Jamaica that was prepared to face the challenges of the new millennium. Throughout his career in the Peoples National Party, he gained international respect through the pivotal roles he played in the advancement of the causes of the developing countries of the world. My Political Journey recounts his performance at the national, regional and global levels and is a fascinating record of a nations postcolonial growth.