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In 1977, Bob Marley composed Exodus, a reggae masterpiece that evokes the return of Rastafari to Africa. Over the past 50 years, Rastafari have made the journey to Ethiopia, settling in the country as repatriates. This little-known history is told in Exodus! Heirs and Pioneers, Rastafari Return to Ethiopia. Giulia Bonacci recounts, with sharpness and rigor, this amazing journey of Rastafari who left the Caribbean, the United States of America and the United Kingdom. Exiting from the Babylon of the West and entering the Zion that is Ethiopia, the exodus has a Pan-African dimension that is significant to the present day. Despite facing complex challenges in their relations with the Ethiopian state and its people, mystical and determined Rastafari keep arriving to Shashemene, their Promised Land.

Revealing personal trajectories, Giulia Bonacci shows that Rastafari were not the first black settlers in Ethiopia. She tracks the history of return over the decades, demonstrating that the utopian idea of return is also a reality. Exodus! is based on in-depth archival and print research, as well as on a wide range of oral histories collected in Ethiopia, Jamaica, Ghana and the USA. Previously unseen photographs illustrate the book.

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Haiti, its revolution and its culture remain largely unknown or misunderstood in the English-speaking world. This collection of essays seeks to both elucidate aspects of Haitian history and culture and provoke interest in readers and scholars for further research in these fields. Several general guiding questions connect the essays: What were, what are the cultural repercussions of Haiti's revolution, in Haiti and elsewhere? What is the truth of Haiti, its history, its intellectual traditions, its culture? What role has culture played in shaping Haiti's history, and conversely, how has Haiti's history determined, inspired, liberated and restricted Haitian culture and thought? In a land that has constantly relived its past, how can we imagine a Haitian future? Can we rethink history and memory? Can an understanding of post-independence culture and thought point tentatively to a way out of the traps of the past, without effecting a counterproductive forgetting of the revolution? Framed by two essays by Rene Depestre, the chapters offer diverse approaches to these questions: the history of Haitian revolutionary universalism; the idea of the Caribbean's historical lack and its application to Haiti; the relationship between personal and political revolutions in Yanick Lahens's fiction; the attempt to write personal history in Edwidge Danticat's work; the role of Haiti and the revolution in forming ideas of ""race""; the importance of the nineteenth-century Haitian intellectual Antenor Firmin in the development of the discipline of anthropology; the influence of St. Domingue refugees in the genesis of New Orleans jazz; the prevalence of the ""Haytian Fear"" narrative in nineteenth-century Trinidad; and the many and diverse post-independence representations of Toussaint Louverture. This book will be of interest to students and readers of Haitian literature, history and culture, as well as those interested in broader Caribbean studies, postcolonial studies and African-American studies.

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Rihanna is arguably the most commercially successful Caribbean artist in history. She is Barbadian and has been unwavering in publicly articulating her national and regional belongings. Still, there have been varied responses to Rihannas ascendancy, both in the Barbadian public and Caribbean community at large  responses that reveal as much about our own national/regional anxieties as they do about the artist herself. The cutting edge, boundary-transgressing, cultural icon Rihanna is certainly subject to moralistic scrutiny from her global audiences as well; however, the essays in this collection purposely seek to de-centre the dominance of the Euro-American gaze, focusing instead on considerations of the Caribbean artist and her oeuvre from a Caribbean postcolonial corpus of academic inquiry. To this end, Rihanna: Barbados World Gurl in Global Popular Culture brings together U.S. and Caribbean based scholars to discuss issues of class, gender, sexuality, race, culture, and economy.

Using the concept of diasporic citizenship as a central theoretical frame, this book intervenes in current questions of national and transnational circuits of exchange as they pertain to the commoditization and movement of culture, knowledge, values, and identity. The contributors- drawing from literature, history, musicology, sociology, cultural studies, feminist, gender, and queer studies, the creative/cultural industries and political science - approach the subjects of Rihanna, globalization, gender and sexuality, commerce, transnationalism, Caribbean regionalism, and Barbadian national identity and development, from different disciplinary and at times radically divergent perspectives. At the same time, the essays collectively work through the limitations, possibilities and promise of our best Caribbean imaginings.

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Hyacinth Evans' detailed case study of a Jamaican high school, formerly known as a junior secondary high school, breaks new ground. Her research demonstrates the continuing education problem encountered by students and teachers in a two-tiered educational system. The case study is an excellent example of the legacy of colonialism still evident in schooling processes in many of the former British colonies in the south (for example, countries in the Caribbean, Africa and India). Evans provides several solutions for the transformation of schools as places for learning and character development.

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Bricks and Stones from the Past"" is an informative, handsomely illustrated and skilfully written book of hard facts about Jamaica's rich geo-historical heritage. Weaving his way through many intricate branches of knowledge, including archaeology, building construction, chemistry and geology, the author embarks on a journey that takes him through the pages of history and across the island. He examines, analyses and describes the nature and origin and use of various lithic materials and objects, many of which played an important role in the development of the island up to the early part of the twentieth century. With a thorough glossary to assist readers in understanding many of the technical terms, the author records his observations and findings in seven easy-to-read and understand chapters. The numerous illustrations of assorted artefacts and ruins should prove of immense value to collectors, museums, libraries, researchers and schools. This much-needed, pioneering reference is an essential addition to the literature on Jamaica.

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On 1 January 1804, the revolutionary slaves of Saint Domingue established the first independent black state in the Americas and proclaimed their break with the French Republic. After more than a decade of protracted bloody battles, the only successful slave revolution in world history ended. The richest sugar colony of the New World was reduced to ashes, and of the troops Napoleon had sent with genocidal intent only very few made it back home. But while the bicentennial of the French Revolution in 1989 and quincentennial of the ""discovery"" of America in 1992 were lavishly celebrated with acts of State, monuments, conferences, and polemics, the Haitian Revolution's anniversary is bound to be passed over in silence in both the halls of power and metropolitan academies. Although few would doubt the profound effect the slave revolution had on the Western Hemisphere, there has until now been no extended study of it, and some describe Haiti as unrelated to any of the worlds' major civilizations. Modernity Disavowed tells a very different story: the Haitian Revolution is at the core of Western modernity in the Age of Revolution, and one of the reasons for subsequent denial or silencing is that Haiti forced the recognition of this fact on slaveholders and imperial powers. At a time when racial taxonomies were beginning to mutate into scientific racism and racist biology, the Haitian revolutionaries recognized the question of colour and race as a political one and placed claims of racial equality squarely on the agenda. Yet, as the cultural records of neighboring Cuba and the Dominican Republic show, the story of the Haitian Revolution has been framed in terms of barbarism unspeakable violence, outside civilization, outside politics, and beyond human language. From the time of the revolution onwards the story has been relegated to the margins of history; to rumors, oral histories confidential letters and secret trials. Focusing on Cuba, the Dominican Republic and Haiti itself in the context of the African Diaspora, Modernity Disavowed argues that we cannot even begin to understand Creole cultures in the Americas unless we understand how they took shape around various forms of denial of the Haitian Revolution.

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This book chronicles the Tobago movement for autonomy from Trinidad from the time of the union of these two Caribbean islands from 1889 to 1980 when Tobago gained internal self-government. It argues that the problems Tobagonians complained about in the few years before internal self-government were longstanding and can be traced throughout the history of the union. The work puts the several calls for separation within the theoretical framework of identity. It posits that identity was the major buttress in the movement for autonomy. The manuscript's unique contribution is its ""integrationist-separatist continuum"" by which the author assesses the responses of British, colonial and local officials.The work adds to the historiography of the Caribbean and Trinidad and Tobago in particular, and is a useful case study of the issue of secession in the Caribbean. It serves as a comparison for the St Kitts - Nevis situation.The author uses primary sources from the Public Records Office and the Newspaper Library in London, the National Archives of Trinidad and Tobago, the Tobago Archives, the Registry Section of the Central Administrative Services, Tobago, the Heritage Library in Trinidad as well as oral history sources.

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In this second volume, Beckles assesses what impact the globalization of cricket has had on the cricketers of the Caribbean. He also describes the emergence of what he argues is a debilitating sub-nationalism in the West Indies, and the effect this has had on the game.

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The book presents a representative selection of the papers presented at the second Conference on Caribbean Culture in honour of Kamau Brathwaite. It offers an interdisciplinary range of studies that range from analyses of Braithwaithe's creative and critical work to interventions in the fields of social history, cultural studies, gender studies, linguistics and sociology, that have been either directly or indirectly influenced by Braithwaite's own pioneering work in Caribbean social history and cultural studies. The manuscript offers the most current critical commentary on the work and ideas of Kamau Brathwaite, and it also provides an extremely useful range of analyses of contemporary Caribbean culture and social history. The primary target audience is academics and students working in the field of Caribbean and cultural studies, while the secondary audience includes researchers working on Kamau Brathwaite's creative and critical work.

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