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Indo-Caribbean women writers are virtually invisible in the literary landscape because of cultural and social inhibitions and literary chauvinism. Until recently, the richness and particularities of the experiences of these writers in the field of literature and literary studies were compromised by stereotypical representations of the Indo-Caribbean women that were narrated from a purely masculine or an Afrocentric point of view. This book fills an important gap in an important but underestimated emergent field. The book explores how cultural traditions and female modes of opposition to patriarchal control were transplanted from India and rearticulated in the Indo-Caribbean diaspora to determine whether the idea of ""cultural continuity"" is, in fact, a postcolonial reality or a fictionalized myth. The Indian women who braved the treacherous crossing of the Atlantic, or the kala pani, to Trinidad and Guyana provided courage, determination, self-reliance and sexual independence to their literary granddaughters who in turn used the kala pani as the necessary language and frame of reference to position Indo-Caribbean female subjectivity with equating writing as a pubic declaration of one's identity and right to claim creative agency. The book is of critical interest to those interested in twentieth-century literary studies, Caribbean studies, gender studies, ethnic studies and cultural studies.

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The re-publication of Lionheart Gal marks an event unique in contemporary literature. It is the distillation of the Jamaican womans experience in fifteen compelling life stories from the internationally known Sistren Theatre Collective.

Since 1977 the women of Sistren have been exploring the lives of Caribbean women, from which they create plays, workshops and screen prints for presentation throughout the Caribbean and elsewhere. This book is based on testimonies from Sistren collected and edited by Honor Ford-Smith into a vivid record of womens lives. The stories retain all the emotional depth of works of the imagination; yet they are at the same time invaluable records of oral history. Scholars of language, culture, politics and literature will need this book; the general reader will revel in it.

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Employing critical analysis of Caribbean intellectual thought and of the postcolonial political economy, Brian Meeks sets about proposing a manifesto for the future. What emerges is a programme for the medium term, which is pragmatic in its efforts to deal with the current crisis without engaging in the romanticism of an all-encompassing revolutionary transformation. Meeks suggests a form of participatory reorganization without, necessarily, dismantling the fundamentals of formal democratic organization. Particular emphasis is placed on rural agro-producers because their empowerment, politically and economically, resolves the problem of elite domination while creating the conditions for economic democracy. He argues, finally, that the proposals can become the basis for a more fundamental social and intellectual transformation from, following Sylvia Wynter, ""man"" to ""human"", based on democracy, community and solidarity.

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Rock it Come Over describes the music and lore of slavery from the early sixteenth century through emancipation in 1838 to the mid twentieth century. Lewin explores the role of music in the lives of the slaves as a method of communication, as a form of resistance and subversion, as a repository of oral history and beliefs, and, ultimately, as a means of survival. The work is based on decades of research into the music sung and played by the working people of Jamaica. Lewin relates the music to traditions that preserve an African way of life, such as Revivalism and its strong heritage of faith and worship. She has a special interest in the Kumina cult and describes in detail the life and beliefs of Kumina queen, Imogene 'Queenie' Kennedy. Rock it Come Over is the most extensive study of Jamaican folk music yet published. It is also an examination of the roots of that music and a record of the folk heritage that is, in spite of many efforts, rapidly retreating before the pressures of life today.

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The increasing visibility of individuals engaging in small-scale business enterprises outside formal wage employment has been a topic of debate for many years, in many countries. The Caribbean Community (CARICOM) is no exception. In fact, the informal economy has become a persistent feature of the regions economic landscape and has been thriving, as documented by leading Caribbean scholars.

Informal Commercial Importers in CARICOM is the first book to examine the various dimensions of informal commercial importing from an aggregate CARICOM perspective, emphasizing the economic dimensions and providing three empirical surveys of informal commercial importing in Guyana, Dominica and Jamaica. Roger Hosein and Martin Franklin provide a rich survey of the literature on shuttle trading, which aids in contextualizing the range of factors that has given rise to shuttle trading in CARICOM and enabled its longevity. They discuss the possible effects of formalizing the informal trade in CARICOM economies and propose strategies that can aid in this formalization process.

While this book is written to appeal to an academic audience, it also provides essential reading for policymakers, research scholars and practitioners alike, and it provides a foundation for further studies of the shuttle trade in a changing Caribbean.

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Valuable compilation of essays on education issues in Creole and Creole-influenced vernacular contexts. Essays divided into sections: Caribbean Language Education, Background to Caribbean Language (i.e., Caribbean English), Policy Issues and Perspectives on Vernacular Education in the Caribbean, among others.