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Carol Ann Duffy has invited fifty of her peers to choose and respond to a poem from the past. With up-and-coming poets alongside more established names, and original poems alongside the new works they have inspired - Paul Muldoon, Vickie Feaver and U. A. Fanthorpe, for example, engage with classic works by Philip Larkin, Emily Dickinson and Christina Rossetti - the result is a collection of voices that speak to one another across the centuries.
Teasing, subverting, arguing, echoing and - ultimately - illuminating, Answering Back is a vibrant, fascinating and timeless anthology, compiled by one of the nation's favourite poets.
'Intriguing . . . Entertaining and stimulating' Good Book Guide
'A starry game of call and answer across poetic generations' FT Magazine
NOW A SUNDAY TIMES TOP 10 BESTSELLER
FROM THE NUMBER ONE BESTSELLING AUTHOR OF THE TEA PLANTER'S WIFE
Dinah Jefferies' stunning new novel is a gripping, unforgettable tale of a woman torn between two worlds...
1952, French Indochina. Since her mother's death, eighteen-year-old half-French, half-Vietnamese Nicole has been living in the shadow of her beautiful older sister, Sylvie. When Sylvie is handed control of the family silk business, Nicole is given an abandoned silk shop in the Vietnamese quarter of Hanoi. But the area is teeming with militant rebels who want to end French rule, by any means possible. For the first time, Nicole is awakened to the corruption of colonial rule - and her own family's involvement shocks her to the core...
Tran, a notorious Vietnamese insurgent, seems to offer the perfect escape from her troubles, while Mark, a charming American trader, is the man she's always dreamed of. But who can she trust in this world where no one is what they seem?
The Silk Merchant's Daughter is a captivating tale of dark secrets, sisterly rivalry and love against the odds, enchantingly set in colonial era Vietnam.
Kelsea Glynn returns as this unforgettable trilogy full of magic and adventure is drawn to a thrilling close.
Since ascending to the throne, Kelsea Glynn has grown into a powerful monarch and a visionary leader.
But in her quest to end corruption and restore justice within the Tearling, she has made many enemies. Chief amongst them is the evil and feared Red Queen, who now holds Kelsea and her magical sapphires captive in her castle in Mortmesne, a deal brokered to protect the Tearling from a Mort invasion.
But the Tearling needs its Queen, and the Mace, head of Kelseas personal guards, will not rest until he and his men rescue their sovereign from her prison.
Now it is time for the fate of Queen Kelsea and the Tearling itself to be revealed . . .
**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**
'An epoch-defining book' Matt Haig
'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard
Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman
A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019
Longlisted for the PEN / E.O. Wilson Literary Science Writing Award
It is worse, much worse, than you think.
The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says it isn't happening at all, and if your anxiety about it is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible, even within the lifetime of a teenager today.
Over the past decades, the term ""Anthropocene"" has climbed into the popular imagination - a name given to the geologic era we live in now, one defined by human intervention in the life of the planet. But however sanguine you might be about the proposition that we have ravaged the natural world, which we surely have, it is another thing entirely to consider the possibility that we have only provoked it, engineering first in ignorance and then in denial a climate system that will now go to war with us for many centuries, perhaps until it destroys us. In the meantime, it will remake us, transforming every aspect of the way we live-the planet no longer nurturing a dream of abundance, but a living nightmare.
Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover.
When the Wanderers Come Home is a womans story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.