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There, in a lush landscape of fire-petaled immortelle trees and vast plantations of coffee and cocoa, where the three hills along the southern coast act as guardians against hurricanes, Krystal A. Sital grew up idolizing her grandfather, a wealthy Hindu landowner. Years later, to escape crime and economic stagnation on the island, the family resettled in New Jersey, where Krystals mother works as a nanny, and the warmth of Trinidad seems a pretty yet distant memory. But when her grandfather lapses into a coma after a fall at home, the women he has terrorized for decades begin to speak, and a brutal past comes to light. In the lyrical patois of her mother and grandmother, Krystal learns the long-held secrets of their familys past, and what it took for her foremothers to survive and find strength in themselves. The relief of sharing their stories draws the three women closer, the music of their voices and care for one another easing the pain of memory. Violence, a rigid ethnic and racial caste system, and a tolerance of domestic abusethe harsh legacies of plantation slaverypermeate the history of Trinidad. On the islands plantations, in its growing cities, and in the familys new home in America, Secrets We Kept tells a story of ambition and cruelty, endurance and love, and most of all, the bonds among women and between generations that help them find peace with the past.

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Love in a Life, Andrew Motion's sixth volume of poetry, marks a conspicuous development in the work of the founder of the modern Narrative School. Directness and a new colloquialism are wedded to Motion's distinctive obliquities in a volume where the idea of marriage governs the architecture of each poem and the book as a whole. The stories of two marriages gradually emerge, like chapters in a narrative, and are themselves bound to more public material, so that each lends profound resonances to the other.

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