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A retired fisherman, Monty Cupidon, encounters a naked, bloodied and traumatised woman standing at the cross-roads. He offers comfort and takes her in. Suffering from amnesia, she cannot tell him anything about herself.
The only clues are the signs that she has once worn a wedding ring, has a butterfly tattoo and red nail polish on her toes. In the absence of memory, he names her Esther. So begins a remarkable sequence of poems that explores many dimensions of liminality. Back of Mount Peace occupies a space between lyric and narrative, between reflection and story. It explores the space between body and mind, making Esther's halting discovery of her self through her body, which like a tree bears its indelible history and, unlike the mind, 'doesn't forget its grievances', work both as moving narrative device and a deeply sensed and sensual reminder of the physicality of existence.
Above all, this is a sequence that explores a relationship which begins in a primal Edenic space of innocent discovery in which, as Monty hopes, 'the hallelujah's of new love will begin', but which, like all relationships must enter history, the decay of time and the corruptions of knowledge.
In the use of rhyme and other patterns of sound, Back of Mount Peace shows an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions.
Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.
Hearne felt his duty as a writer was to examine fundamental human truths rather than social politics or a nationalistic agenda, and his short stories are exemplars of this intention. From his first published piece, the fable The Mongoose Who Came to the City, to his unpublished last story Reckonings, this collection of critically acclaimed short stories is essential reading for any serious student of Caribbean literature or any reader seeking a broader understanding of the culture of the region in the early days of independence.
In Jubilation!, over fifty contemporary Jamaican poets reflect in complex, outspoken, meditative, humorous and outrageous ways on Jamaican independence from Britain and the years that followed.
The anthology includes work from the best-known poets of the last fifty years, as well as some of the new and exciting voices in Jamaican poetry today. The authors featured include the work of, among others, Opal Palmer Adisa, Jean 'Binta' Breeze, Kwame Dawes, Ann-Margaret Lim, Rachel Manley, Shara McCallum, Mervyn Morris, Velma Pollard and Ralph Thompson.
Kwame Dawes is the author of over thirty books, and is widely recognised as one of the Caribbean's leading writers. He is the recipient of numerous awards including the Musgrave Silver Medal, the Barnes & Noble Writers for Writers Award 2012 and, most recently, a Guggenheim Fellowship. His latest poetry book is Wheels (2011), and he recently edited Red: Contemporary Black British Poetry (2010) and A Bloom of Stones: A Trilingual Anthology of Haitian Poems After the Earthquake (2012), all published by Peepal Tree Press.