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A classic collection of hymns and choruses.
Sankeys Sacred Songs and Solos was developed by Ira D. Sankey as a resource for his concerts and revival meetings in the late 19th century. This collection is still popular today, with a wide selection of hymns and songs on many different themes.
A wide range of traditional and newer hymns enjoyed by children as part of worship in schools, plus national anthems and songs of the Caribbean.
Hymns of particular types and for special times have been arranged together for ease of use. This edition has been enhanced with fifteen additional popular hymns.
An instant #1 New York Times bestseller for six weeks, Bishop T.D. Jakes's smash-hit INSTINCT shows readers how to tap into their God-given intuition to achieve ultimate success.
Whether you call it following your heart, a gut feeling, a hunch or intuition, instinct-the inner knowledge bubbling up from a wellspring of wisdom within-can lead to a bigger, elephant-sized life.
Combining social, business and personal examples with biblical insights, in INSTINCT Bishop Jakes shows readers how to rediscover their natural aptitudes and reclaim the wisdom of their past experiences. Knowing when to close a deal, when to take a risk, and when to listen to their hearts will become possible when they're in touch with the instincts that God gave them.
If readers are ready to unlock the confines of where they are, and discover where they were meant to be, then INSTINCT is their key!
Revival iconography is explored through its many modes: visual, sound and movement. Seals, symbols and colour symbolism are presented as a representation of the repertoire of images that make up the Revival iconography. Revival cosmology in the rituals and ceremonies are explored and the spaces created by the seals are treated as liminal ones for the enactment of cultural performances.
Smith makes the point that the iconography makes it possible for Revivalists to interpret events and rituals in much the same way across Jamaica. Iconography is the symbolic language and carrier of culture that is central to the practice and production of shared meanings, and this language gives Revivalists a sense of identity. The Revival iconography stores information that makes it possible for Revivalists to reconnect with African metaphysics, thus reclaiming the African self.