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Richard III is one of the great Shakespearean characters and roles. James R Siemon examines the attraction of this villain to audiences and focuses on how beguiling, even funny, he can be, especially in the earlier parts of the play. Siemon also places King Richard III in its historical context; as Elizabeth I had no heirs the issue of succession was a very real one for Shakespeare's audience. The introduction is well-illustrated and provides a comprehensive account of the play and of critical approaches to it. The edition also provides a clear and authoritative playtext, edited to the most rigorous standards of scholarship, with detailed notes and commentary on the same page. With a wealth of helpful and incisive commentary the Arden Shakespeare is the finest edition of Shakespeare you can find, giving a deeper understanding and appreciation of his work.
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9781903436899
1449.0000
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In Cymbeline, Ancient Britains female heir to the throne is slandered by a decadent Italian while the Romans invade Britain to retain it as part of their empire. Shakespeares late romance is full of unpredictable conjunctions that are explored in the comprehensive introduction to this new, fully-illustrated Arden edition. Valerie Wayne takes a transformative look at the plays critical and performance history by examining its attention to gender, calumny and sexuality together with nationhood, colonialism and British identities. The authoritative play text is amply annotated to clarify its language and allusions, and three appendices delineate the plays textual history, its rich use of music and its casting. Offering students and scholars alike a wealth of insight and new research, this edition maintains the rigorous standards of the Arden Shakespeare.

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9781904271307
2041.0000
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9789766381912
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The authoritative edition Loves Labors Lost from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers.

At first glance, Shakespeares early comedy Loves Labors Lost simply entertains and amuses. Four young men (one of them a king) withdraw from the world for three years, taking an oath that they will have nothing to do with women. The King of Navarre soon learns, however, that the Princess of France and her ladies are about to arrive. Although he lodges them outside of his court, all four men fall in love with the ladies, abandoning their oaths and setting out to win their hands.

The laughter triggered by this story is augmented by subplots involving a braggart soldier, a clever page, illiterate servants, a parson, a schoolmaster, and a constable so dull that he is named Dull. Letters and poems are misdelivered, confessions are overheard, entertainments are presented, and language is played with, and misused, by the ignorant and learned alike.

At a deeper level, Loves Labors Lost also teases the mind. The men begin with the premise that women either are seductresses or goddesses. The play soon makes it clear, however, that the reality of male-female relations is different. That women are not identical to mens images of them is a common theme in Shakespeares plays. In Loves Labors Lost it receives one of its most pressing examinations.

This edition includes:
-Freshly edited text based on the best early printed version of the play
-Full explanatory notes conveniently placed on pages facing the text of the play
-Scene-by-scene plot summaries
-A key to the plays famous lines and phrases
-An introduction to reading Shakespeares language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Librarys vast holdings of rare books
-An annotated guide to further reading

Essay by William C. Carroll

The Folger Shakespeare Library in Washington, DC, is home to the worlds largest collection of Shakespeares printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
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9781982164959
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9789766382353
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9789766381028
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850.00
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9789768245632
1395.0000
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348.75
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The Tempest has long dazzled readers and audiences with its intricate blend of magic, music, humour, intrigue and tenderness, its vibrant but ambiguous central characters. As Virginia and Alden Vaughan show, in their wide-ranging new edition of this established favourite, such antithetical extremes exemplify the play's endlessly arguable nature, its appeal to diverse eras and cultures.The Vaughans situate The Tempest at the centre of changing cultural attitudes towards colonialism, power politics and patriarchal hierarchies, and demonstrate how the play both shaped and reflected those changing attitudes. Informed by the concerns of a post-colonial international community, their edition emphasizes the play's world-wide cultural appropriation, and includes an extensive discussion of the play's after-life as well as an appendix of selected appropriations. The interdisciplinary editorial approach contributes a distinctively blended cultural and historical focus.'The Vaughans have provided a valuable new edition of the play, one whose expanded contextualisation, especially, will contribute to The Tempest's lively and varied afterlife both within and beyond the classroom.' Barbara Fuchs, University of Washington, Seattle, Shakespeare Quarterly
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9781903436080
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2500.00
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9789766381042
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