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The New Register of Caribbean English Usage"" is a pan-Caribbean publication which seeks to provide a representative sample of the development of Caribbean English usage since 1992, after ""The Dictionary of Caribbean English Usage"" was completed. ""The New Register"", which was intended to be a companion work to ""The Dictionary of Caribbean English Usage"" on a smaller scale, comprises about seven hundred items, including words with new senses or usages, acronyms, and abbreviations that have emerged out of the ecological and cultural domains of the CARICOM territories, from Guyana to Belize. ""The New Register"", like""The Dictionary"", shows the contribution of homeland British English to Caribbean English creoles which spread across the anglophone Caribbean as it merged with the hundreds of West African languages introduced during trans-Atlantic slavery to form those English-based Creoles. It also identifies the various levels of Caribbean English usage from formal to anti-formal and the various sub-levels of the latter. The continued inventorying and chronicling of Caribbean culture and history are vital in helping us to recognize and understand our unique Caribbean identity, and this is an essential reference book for students and educators in the region and in the diaspora. As well as being a practical guide to current Caribbean English usage, ""The New Register"" is a tool for raising the level of the production and use of English and for demonstrating the way in which Caribbean English works.
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9789766402280
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575.00
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The late Wycliffe Bennett (19222009), widely regarded as the godfather of the Jamaican theatre in the second half of the twentieth century, brings all his experience and insight to this last, formidable production. Wycliffe Bennett saw almost every theatrical production of note in this period, directed some productions himself, and, in addition, worked as a manager and trainer in speech, radio and television. His wife, Hazel, co-author of this liberally illustrated work, adds her skills as documentalist and witness. Together, the Bennetts have produced the first book of its kind, a panorama of performance, from the imported touring companies and fledgling local elitist groups of the 1920s and 1930s, to the birth of the Little Theatre Movement during the war years; from the small, ambitious groups of the 1950s and 1960s to the thriving commercial roots theatre of the new century.

The book also chronicles the development of drama on radio and television, and Jamaicas small but important film industry. In extensively documenting and analysing dance, it considers modern foundation groups like Ivy Baxter and the National Dance Theatre Company, as well as their precursors and myriad offspring. A pioneer of the Jamaica Festival movement, Wycliffe Bennett describes it from the inside, culminating with eyewitness accounts of the spectacular Caribbean Festival of the Arts, Carifesta 76, over which he presided. As well, the authors treat music in all its variety, from classical through the Frats Quintet to reggae.

There are also sections by experts in their fields: Yvonne Jones Brewster writes on Theatre 77 and Barn Theatre; Dr Maria Smith examines Revival; Barbara Requa discusses dance techniques; and Mary Brathwaite Morgan considers the golden age of drama at the University of the West Indies.

To complete this panoptic view of the performing arts, there is an A to Z of the scores of outstanding personages in the different fields.

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9789766402266
1725.0000
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This work is a collection of articles written over many years as well as unpublished new scholarship that explores the common themes of race and class in the Caribbean and overcoming social domination. The essays consider abstract political theory (Marxism and critical and race theory) and also focus on specific Caribbean issues and events such as the portrayals of the Jamaican left, the collapse of the Grenada Revolution and the significance of the affirmation of personhood in a racist society, but all share a concern with overcoming of social domination and are 'radically' oriented. The title has a double meaning insofar as it signifies both the application of radical theory to the Caribbean reality, and the way in which that reality has too often collided with the theory, revealing its inadequacies. As Mills explains, 'The overall aim is to elucidate some classic subjects and themes in radical theory, both generally and with local Caribbean application, and to map in the process a trajectory of intellectual development not peculiar to my own history but traced by many others of my generation also'.
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9789766402273
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Reggae Stories provides a range of perspectives on the development of Jamaican popular music and culture, in particular reggae and dancehall, and opens the door to new debates on these music forms and their producers and creators. It moves through early musical debates and incendiary intellectual contributions in Jamaican reggae to trace Jamaican popular music in new geographical locales, and then returns home to contemporary dancehall posturing. The contributors to this collection incorporate a range of approaches that include cultural studies, musicological analysis, lyrical analysis and historical contextualization.

The collection makes a seminal contribution with its presentation of significant work on reggae music in the Hispanic Caribbean (Mexico), particularly for the benefit of English speakers who may have faced restrictions in accessing such material. In a similar vein, the work also introduces material on reggae music in the former Soviet Union (Belarus), again opening spaces that may have been hidden from the anglophone debates. The work also makes another significant contribution in tackling Peter Toshs intellectual and lyrical legacy as a reggae revolutionary in an era where he has received scant literary and academic attention. Additionally, the work adds considerably to contemporary debates on dancehall music and cultures post-millennial identity debates by introducing a critical academic discourse on the lyrical and cultural posturing of popular dancehall artistes Tommy Lee and Vybz Kartel.

ReggaeStories spans several important and connected points in the debates around adoption and adaptation of Jamaican popular music and culture in different cultural and geographical contexts and extends the discussion on how these musical and cultural forms have been transformed or retained in differing localities.
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9789766406691
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Up until very recently it was believed that in 1491, the year before Columbus landed, the Americas, one-third of the earth's surface, were a near-pristine wilderness inhabited by small, roaming bands of indigenous peoples. Then, the story went, they encountered European society, their world was turned upside down and they entered history. But recently unexpected discoveries have dramatically changed our understanding of Indian Life. Many scholars now argue that the Indians were much more numerous than previously believed, that they were in the Americas for far longer, and that they had far more ecological impact on the land. This knowledge has enormous implications for today's environmental disputes, yet little has filtered into textbooks, and even less into public awareness. Charles Mann brings together all of the latest research, and the results of his own travels throughout North and South America, to provide a new, fascinating and iconoclastic account of the Americas before Columbus.
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Charles Mann is the co-author of four previous books, including The Second Creation: Makers of the Revolution in 20th Century Physics and Noah's Choice: The Future of Endangered Species. He is the correspondent for The Atlantic Monthly and Science magazines, and editorial co-ordinator for the internationally best-selling Material World books. He lives in Massachusetts.
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9781862076174
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The Caribbean Heritage series is designed to publish new editions of historically significant works of fiction from our region. The first three volumes in the series comprise four Trinidadian novels published between 1838 and 1907. A substantial introduction and thorough annotations contextualize each of the original texts. The first volume in the series is E.L. Joseph's Warner Arundell: The Adventures of a Creole. The second volume includes two novels: Adolphus, A Tale, and Mrs Wilkins's The Slave Son. The third volume in the series presents Stephen Cobham's novel Rupert Gray, first published in 1907. Like the other novels in the series, this work also contains a strong political impetus, typical of West Indian novels, including support for the rights of all races. Together these four texts establish evidence of a much older and deeper local literary foundation than hitherto realized. This novel was written in Trinidad by a black or mixed-race teacher then law clerk, who also wrote poems and gave public lectures on literary topics. The character of Rupert Gray was apparently based on that of Henry Sylvester Williams, a black lawyer educated in England, who was a major figure in the Pan-African Association. The novel traces the love affair of Rupert Gray, a Negro accountant, and Gwendoline Serle, the daughter of a white businessman in Trinidad. The couple's interracial courtship is marked by parental disapproval, society's scorn and the loyalty of friends. A series of tragic events culminates in a melodramatic courtroom scene.
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9789766401825
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1063.75
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02
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'Extraordinary...smart, sophisticated, suspenseful - and important. If you try one new thing this year, make it Star of the North' LEE CHILD
__________________________

North Korea and the USA are on the brink of war.

A young American woman disappears without trace from a South Korean island.

The CIA recruits her twin sister to uncover the truth.

Now, she must go undercover in the worlds most deadly state.

Only by infiltrating the dark heart of the terrifying regime will she be able to save her sisterand herself.
___________________________

Tense and compelling. James Swallow, Sunday Times bestselling author of NOMAD

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9781784708184
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907.00
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06
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The contributors to this collection address a range of issues in Caribbean linguistics. At this stage of Caribbean development, it is critical that we have a broader appreciation of the significance of the languages of the region for developing a deeper sense of self and for understanding others who have shared a common Caribbean experience. The linguists in this volume interrogate the interpretations of the history of our Caribbean languages, the use of these languages for literary expression and their role in the democratization of education and the development of Caribbean people. Several of the articles deal with profoundly controversial topics, including the question of competence in a Creole environment; the expansion of Rastafarianism globally and how word-formation devices reflect Rastafarian thinking; the use of the vernacular in West Indian education; the relevance of vernacular literacy for education; the use of Creole in Caribbean literary texts; and how to determine dialect boundaries, especially in linguistic situations in which Creoles from two distinct lexical bases vie for social space and supremacy. The work is dedicated to the distinguished Caribbean linguist Pauline Christie and celebrates her contribution to the study of linguistics in the Caribbean.
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9789766401870
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