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The late Wycliffe Bennett (19222009), widely regarded as the godfather of the Jamaican theatre in the second half of the twentieth century, brings all his experience and insight to this last, formidable production. Wycliffe Bennett saw almost every theatrical production of note in this period, directed some productions himself, and, in addition, worked as a manager and trainer in speech, radio and television. His wife, Hazel, co-author of this liberally illustrated work, adds her skills as documentalist and witness. Together, the Bennetts have produced the first book of its kind, a panorama of performance, from the imported touring companies and fledgling local elitist groups of the 1920s and 1930s, to the birth of the Little Theatre Movement during the war years; from the small, ambitious groups of the 1950s and 1960s to the thriving commercial roots theatre of the new century.
The book also chronicles the development of drama on radio and television, and Jamaicas small but important film industry. In extensively documenting and analysing dance, it considers modern foundation groups like Ivy Baxter and the National Dance Theatre Company, as well as their precursors and myriad offspring. A pioneer of the Jamaica Festival movement, Wycliffe Bennett describes it from the inside, culminating with eyewitness accounts of the spectacular Caribbean Festival of the Arts, Carifesta 76, over which he presided. As well, the authors treat music in all its variety, from classical through the Frats Quintet to reggae.
There are also sections by experts in their fields: Yvonne Jones Brewster writes on Theatre 77 and Barn Theatre; Dr Maria Smith examines Revival; Barbara Requa discusses dance techniques; and Mary Brathwaite Morgan considers the golden age of drama at the University of the West Indies.
To complete this panoptic view of the performing arts, there is an A to Z of the scores of outstanding personages in the different fields.
The collection makes a seminal contribution with its presentation of significant work on reggae music in the Hispanic Caribbean (Mexico), particularly for the benefit of English speakers who may have faced restrictions in accessing such material. In a similar vein, the work also introduces material on reggae music in the former Soviet Union (Belarus), again opening spaces that may have been hidden from the anglophone debates. The work also makes another significant contribution in tackling Peter Toshs intellectual and lyrical legacy as a reggae revolutionary in an era where he has received scant literary and academic attention. Additionally, the work adds considerably to contemporary debates on dancehall music and cultures post-millennial identity debates by introducing a critical academic discourse on the lyrical and cultural posturing of popular dancehall artistes Tommy Lee and Vybz Kartel.
ReggaeStories spans several important and connected points in the debates around adoption and adaptation of Jamaican popular music and culture in different cultural and geographical contexts and extends the discussion on how these musical and cultural forms have been transformed or retained in differing localities.
'Extraordinary...smart, sophisticated, suspenseful - and important. If you try one new thing this year, make it Star of the North' LEE CHILD
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North Korea and the USA are on the brink of war.
A young American woman disappears without trace from a South Korean island.
The CIA recruits her twin sister to uncover the truth.
Now, she must go undercover in the worlds most deadly state.
Only by infiltrating the dark heart of the terrifying regime will she be able to save her sisterand herself.
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Tense and compelling. James Swallow, Sunday Times bestselling author of NOMAD