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Copeland Forbes is one of the most consequential figures in the history of modern Jamaican music. Through his roles as personal and tour manager for some of the most iconic personalities in music, Forbes has been a witness to and a participant in some of the most intriguing dramas in the annals of modern popular music. 


Forbes is a much sought after speaking at music symposia and seminars across the world where his name is often a prime attraction and his vast knowledge a source of enlightenment and entertainment. 


Forbes has copped numerous awards for his outstanding contribution to the music industry including the Order of Distinction from the Government of Jamaica in 2017. 


In Reggae My Life Is, Forbes provides riveting accounts of incidents and colorful portraits of personalities that have helped to shape our society and our culture. It is a matter of easy concession that Forbes has led an exciting life. He has seen so many places and has made so many things happen during the 60 years he was entrusted with handling the affairs of some of the most celebrated figures ever to grace our planet. 


Among some of the fascinating figures making appearances in Forbes retrospective Bob Marley, Peter Tosh, Dennis Brown, Jimmy Cliff, Bunny Wailer. Rita Marley, Frankie Crocker, Danny Sims, Marcia Griffiths, Gregory Issacs, Chris Blackwell, Mick Jagger, Mark Zuckerberg, Richard Branson, Don Taylor, Sly and Robbie, Grace Jones and Don King. 


Forbes, with his prodigious recall, is able to situate some of the more seminal moments in the history of Jamaican music with clarity and humor. His knowledge of venues, dates and personalities is encyclopedic. Yet Forbes intention is not to provide fodder for the gossip mill. His aim is, instead, to clarify and contextualize in order to provide important lessons for those who seek to learn from art and life. 

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06
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This reconstruction of one of the rare Caribbean slave narratives is an amplification, interrogation, and modification of its original texts by cross-reference with official documents, contemporary diaryentries and reports, present-day oral sources, and secondary analyses of plantation society. Accessing a variety of primary records, Maureen Warner-Lewis meticulously reconstructs a biography of enslaved Archibald Monteath, an Igbo, who was brought to Jamaica around 1802, became active in the Moravian Church and later purchased his freedom. Through Monteath's biography she explores the sociology of slavery from 1750 to the 1860s. Fieldwork conducted in Africa brings an important dimension to the work, and scholars of Caribbean history, church history, diasporic studies, Atlantic studies and Jamaica will find it of significant interest.
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