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From its first appearance in 1939 with a group of men knocking on pots and pans to the 1951 Trinidad All-Steel Percussion Orchestra (TASPO), steelband has fascinated the world. Relying largely on oral histories, this work investigates and documents the different technical, musical and organisational steps by which the steelband movement was born and grew to maturity.

This study is a radical break with the approach to cultural creativity in general and music of the African diaspora in particular, emphasising the role of individual agency, microsociology and aesthetic values. This contrasts with the resistance school of thought, which views music as an automatic reaction to oppression rather than a deliberate attempt to satisfy aesthetic needs and impulses.

The minute biographical and psychological details provide a unique theory of creolisation and chart its relationship to African retentions, based on empirical data. This authoritative study will appeal to both the general reader interested in the origins of steelband and to scholars concerned with the creolisation of African and European cultures and Caribbean creativity.

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Shared Visions Contains fifty high-quality color reproductions of Caribbean art and sculpture housed at the three campuses of the University of the West Indies in Barbados, Jamaica, Trinidad and Tobago. The book is a magnificent and rich celebration of heterogeneity, of unity in diversity, and of the creativity of Caribbean society, particularly in the visual arts. The book contains works by thirty-three Caribbean artists, including Edna Manley, Albert Huie, Gloria Escoffrey, Roger Mais, Rex Dixon, David Pottinger, and Barrington Watson.

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The bicentenary of Haitian independence in 2004 triggered a renewed interest in Haitian history and culture. In many ways, however, much work is still required in this fertile field. Reinterpreting the Haitian Revolution and Its Cultural Aftershocks, the first collection of essays edited by Martin Munro and Elizabeth Walcott-Hackshaw, addressed the repercussions of the Haitian Revolution in Haiti, the Caribbean, North America and Europe. This present volume develops and complements the previous collection to meet the growing demand for original scholarly work on Haiti. Widening the cultural lens to include diasporic studies, art, and questions of race and gender, Echoes of the Haitian Revolution exposes how the history of Haiti has shaped our ideas of race, nation and civilization in ways that we are often unaware of. Haiti's lessons continue to engage us in a dynamic dialog that compels us to question and revisit received arguments. The essays collected here provoke and stimulate these necessary conversations by approaching the legacies and repercussions of the revolution from a cultural perspective.

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Lady Nugent's husband was governor of Jamaica during a critical period of the Napoleonic Wars. Her personal diary conveys impressions of life among the slave-owning colonial gentry. The journal was first published in 1907.

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In Political Communication Strategies in Post-independence Jamaica, 1972-2006, Floyd E. Morris analyses some of the factors that contribute to apathy among citizens towards the political process by focusing on the communication strategies used by leaders and their administrations. He examines the relationship between leaders and the wider society they seek to influence, the communication methods and techniques that have been deployed in the exercise of power, and how change is effected or stymied by political communication. The central argument of the book is that the success or failure of leaders and their administrations in modern Jamaica is closely linked to an effective communication strategy to support their programmes and policies.

Morris examines the campaigns and tenure of three of Jamaica's longest-serving prime ministers and assesses the communication strategies used to market their government's programmes and policies. By analysing the successes and failures of administrations between 1972 and 2006, he offers insight on the best approaches for connecting with and engaging citizens through effective communication.

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This book brings together contributions from a broad spectrum of authors on the most challenging issue for the Caribbean - against the dominating efforts of European colonizers and their descendants, the long-standing struggle of Caribbean people to fashion a culture and society that would give full space to the African heritage of the majority while accommodating their new and evolving circumstances. The book presents contemporary readings that contestation in the areas of Caribbean religion, education, language, music, race, sexual behavior in a time of the AIDS pandemic, and the economy. It grew out of a conference held in 2006 in honor of the scholarship of internationally acclaimed Professor Alston Barrington Chevannes, professor of social anthropology at the University of the West Indies, Jamaica. This book is unique, therefore, in both the breadth of its focus and range of topics as well as the specific issues considered, most essays being useful case studies in particular fields. The geographical span includes Jamaica, Martinique, Trinidad and Tobago, Guyana, indeed the Caribbean as a whole. There is perhaps no other publication with such an aim, range and relevance. The theme of a Caribbean world view makes this book a pioneering contribution to Caribbean studies. The collection also contains an autobiographical essay by Professor Chevannes.