A gripping, genre-blending YA horror about what happens when a Haitian American girl uses her previously hidden zombie abilities to exact revenge on the wealthy elites who've caused her family pain.

Brielle Petitfour loves to cook. But with a chronically sick mother and bills to pay, becoming a chef isn't exactly a realistic career path.

When Brielle's mom suddenly loses her job, Brielle steps in and uses her culinary skills to earn some extra money. The rich families who love her cooking praise her use of unique flavours and textures, which keep everyone guessing what's in Brielle's dishes. The secret ingredient? Human flesh.

Written by the storytelling duo Maika Moulite and Maritza Moulite, The Summer I Ate the Rich is a biting, smart horror inspired by Haitian zombie lore that explores themes of vengeance, family, and young love - and scrutinizes the socioeconomic and racial inequity that is the foundation of our modern times. Just like Brielle's clients it will have you asking: What's for dinner?

'This has bestseller written all over it. Fast-paced, funny, shocking, unputdownable. I loved it' PAULA HAWKINS, author of The Girl on the Train

'I just raced through Wahala. Nikki May writes so well about friendship, food, fashion and the many ways modern women can stumble in their careers and personal lives' CLARE CHAMBERS, author of Small Pleasures
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Ronke, Simi and Boo are inseparable mixed-race friends living in London. They have the gift of two cultures, Nigerian and English, though not all of them choose to see it that way.

Everyday racism has never held them back, but now in their thirties, they question their future. Ronke wants a husband (he must be Nigerian); Boo enjoys (correction: endures) stay-at-home motherhood; while Simi, full of fashion career dreams, rolls her eyes as her boss refers to her urban vibe yet again.

When Isobel, a lethally glamorous friend from their past arrives in town, she is determined to fix their futures for them. Cracks in their friendship begin to appear, and it is soon obvious Isobel is not sorting but wrecking. When she is driven to a terrible act, the women are forced to reckon with a crime in their past that may just have repeated itself.

A darkly comic and bitingly subversive take on love, race and family, Wahala will have you laughing, crying and gasping in horror. Boldly political about class, colorism and clothes, here is a truly inclusive tale that will speak to anyone who has ever cherished friendship, in all its forms.

SHORTLISTED FOR THE WOMENS PRIZE FOR FICTION 2023
SHORTLISTED FOR THE WATERSTONES DEBUT FICTION PRIZE 2023
AN OBSERVER BEST DEBUT NOVEL OF THE YEAR

Its time to dance, to love, to be free

Mesmerising BERNARDINE EVARISTO, author of Girl, Woman, Other
Fabulous MAGGIE O'FARRELL, author of Hamnet
Beautiful CALEB AZUMAH NELSON, author of Open Water

Yamaye lives for the weekend, when she can go raving with her friends at The Crypt, an underground club on the outskirts of London. Then everything changes. Yamaye meets Moose, who she falls deeply in love with, and who offers her the chance of freedom and escape.

After their relationship is brutally cut short, Yamaye goes on a dramatic journey of transformation that leads her to Jamaica, where past and present collide with explosive consequences.

SHORTLISTED FOR THE JHALAK PRIZE 2024
SHORTLISTED FOR THE AUTHORS CLUB BEST FIRST NOVEL AWARD 2024
SHORTLISTED FOR THE PAUL TORDAY PRIZE 2024
SHORTLISTED FOR THE McKITTERICK PRIZE 2024
A SUNDAY TIMES AND GUARDIAN BOOK OF THE YEAR

A wonderfully literary, musical and original novel about a culture and era that rarely makes the pages of fiction TIMES LITERARY SUPPLEMENT

Scorching We follow Yamaye through love, loss and peril, as she chases her dreams and connects with her heritage GUARDIAN

Ambitious, atmospheric A novel of passion and anger SUNDAY TIMES

A rich and rhythmic story about love and music iNEWS

The site of the ruined ancestral home of Kwame Dawess family, in one of the earliest post-slavery free villages in Jamaica, Sturge Town is at once a place of myth and, for Dawes, a metaphor of the journeying that has taken him from Ghana, through Jamaica, and to the United States. The poet ranges through time, pursued by a keen sense of mortality, and engages in an intimate dialogue with the readerserious, confessional, alarmed, and sometimes teasing. Metrically careful and sonorous, these poems engage in a personal dialogue with the reader, serious, confessional, alarmed and sometimes teasing. They create highly visualized spaces, observed, remembered, imagined, the scenes of both outward and inner journeys. Whether finding beauty in the quotidian or taking astonishing imaginative leaps, these poems speak movingly of self-reflection, family crises, loss, transcendence, the shattering realities of political engagement, and an unremitting investment in the vivid indeterminacy of poetry.