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A bold, witty, magical new voice in fiction, Justin Haynes weaves a cross-generational Caribbean story of migration, superstition, and a search for family in the novel Ibis.
This brilliant, shape-shifting novel teems with charms and curses, stunning disasters and startling moments of grace. Jenny Offill, author of Dept. of Speculation and Weather
Justin Haynes proves himself an absolute alchemist of fiction . . . This is a stunning debut as witty as is it is rapturous. Jericho Brown, MacArthur Fellow and Pulitzer Prizewinning author of The Tradition
Evoking the themes of Ovid, the language of Toni Morrison, and the genre-blending of Octavia Butler, Haynes scales the heights of his ambition. This soaring work is not to be missed. Publishers Weekly, Starred Review
There is bad luck in New Felicity. The people of the small coastal village have taken in Milagros, an 11-year-old Venezuelan refugee, just as Trinidads government has begun cracking down on undocumented migrantsand now an American journalist has come to town asking questions.
New Felicitys superstitious fishermen fear the worst, certain theyve brought bad luck on the village by killing a local witch who had herself murdered two villagers the year before. The town has been plagued since her death by alarming visits from her supernatural mother, as well as by a mysterious profusion of scarlet ibis birds.
Skittish that the reporters story will bring down the wrath of the ministry of national security, the fishermen take things into their own hands. From there, we go backward and forward in timefrom the towns early days, when it was the site of a sugar plantation, to Milagross adulthood as she searches for her mother across the Americas.
In between, through the voices of a chorus of narrators, we glimpse moments from various villagers lives, each one setting into motion events that will reverberate outwards across the novel and shape Milagross fate.
With kinetic, absorbing language and a powerful sense of voice, Ibis meditates on the bond between mothers and daughters, both highlighting the migrant crisis that troubles the contemporary world and offering a moving exploration of how to square where we come from with who we become.
In this beguiling collection of twelve imaginative stories set in Lagos, Nigeria, Pemi Aguda dramatizes the tension between our yearning to be individuals and the ways we are haunted by what came before.
In Manifest, a woman sees the ghost of her abusive mother in her daughters face. Shortly after, the daughter is overtaken by wicked and destructive impulses. In Breastmilk, a wife forgives her husband for his infidelity. Months later, when she is unable to produce milk for her newborn, she blames herself for failing to uphold her mothers feminist values and doubts her fitness for motherhood. In Things Boys Do, a trio of fathers finds something unnatural and unnerving about their infant sons. As their lives rapidly fall to pieces, they begin to fear that their sons are the cause of their troubles. And in 24, Alhaji Williams Street, a teenage boy lives in the shadow of a mysterious disease thats killing the boys on his street.
These and other stories in Ghostroots map emotional and physical worlds that lay bare the forces of family, myth, tradition, gender, and modernity in Nigerian society. Powered by a deep empathy and glinting with humor, they announce a major new literary talent.
A gripping, genre-blending YA horror about what happens when a Haitian American girl uses her previously hidden zombie abilities to exact revenge on the wealthy elites who've caused her family pain.
Brielle Petitfour loves to cook. But with a chronically sick mother and bills to pay, becoming a chef isn't exactly a realistic career path.
When Brielle's mom suddenly loses her job, Brielle steps in and uses her culinary skills to earn some extra money. The rich families who love her cooking praise her use of unique flavours and textures, which keep everyone guessing what's in Brielle's dishes. The secret ingredient? Human flesh.
Written by the storytelling duo Maika Moulite and Maritza Moulite, The Summer I Ate the Rich is a biting, smart horror inspired by Haitian zombie lore that explores themes of vengeance, family, and young love - and scrutinizes the socioeconomic and racial inequity that is the foundation of our modern times. Just like Brielle's clients it will have you asking: What's for dinner?