'AN OUTSTANDING DEBUT' CHERIE JONES, author of How the One-Armed Sister Sweeps her House

'VIVID AND AUTHENTIC' LEONE ROSS, author of This One Sky Day

At eighteen years old, Dinah gave away her baby son to the rich couple she worked for before they left Jamaica. They never returned. She never forgot him.

Eighteen years later, a young man comes from the US to Kingston. From the moment she sees him, Dinah never doubts - this is her son.

What happens next will make everyone question what they know and where they belong.

A powerful story of belonging, identity and inheritance, What a Mother's Love Don't Teach You brings together a blazing chorus of voices to evoke Jamaica's ghetto, dance halls, criminal underworld and corrupt politics, at the beating heart of which is a mother's unshakeable love for her son.

'TAKES US ON A WONDERFUL MULTIFACETED JOURNEY THORUGH THE LIVES, LOVES, PLEASURES AND ATROCITIES OF THE FOLKS OF KINGSTON' JACOB ROSS, author of The Bone Readers

'A PROPULSIVE AND BREATHTAKING STORY' MAISY CARD, author of These Ghosts are Family

'A GRIPPING PAGE-TURNER' CAMILLE HERNÁNDEZ-RAMDWAR, author of Suite as Sugar and Other Stories

'AN EXCITING READ' YEWANDE OMOTOSO, author of An Unusual Grief

'A WONDERFUL DEBUT NOVEL' GILLIAN ROYES, author of the Shad series

'TAYLOR'S GREAT ACCOMPLISHMENT IS HOW SHE CAPTURES THE DARKNESS OF THE GHETTO WHILE NEVER DIMMING THE VIVACITY, DETERMINATION AND EXUBERANCE DISPLAYED BY ITS PEOPLE. THIS IS A THRILLING READ' CELESTE MOHAMMED, author of Pleasantview

Treat a loved one to this joyful, big-hearted read from Booker Prize-winning novelist Bernardine Evaristo...

'[Mr Loverman is] Brokeback Mountain with ackee and saltfish and old people' Dawn French

WINNER OF THE JERWOOD FICTION UNCOVERED PRIZE 2014 and FERRO GRUMLEY AWARD FOR LGBT FICTION 2015

Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he's lived in Hackney since the sixties. A flamboyant, wise-cracking local character with a dapper taste in retro suits and a fondness for quoting Shakespeare, Barrington is a husband, father and grandfather - but he is also secretly homosexual, lovers with his great childhood friend, Morris.

His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away?

Mr Loverman is a ground-breaking exploration of Britain's older Caribbean community, which explodes cultural myths and fallacies and shows the extent of what can happen when people fear the consequences of being true to themselves.

A stunning novel, spanning generations and continents, Ghana Must Go is a tale of family drama and forgiveness, for fans of Zadie Smith and Chimamanda Ngozi Adichie.

Meet the Sais, a Nigerian-Ghanaian family living in the United States. A family prospering until the day father and surgeon Kweku Sai is victim of a grave injustice. Ashamed, he abandons his beautiful wife Fola and their little boys and girls, causing the family to fracture and spiral out into the world - New York, London, West Africa, New England - on uncertain, troubled journeys until, many years later, tragedy unites them. Now this broken family has a chance to heal - but can the Sais take it?

'Ghana Must Go is both a fast moving story of one family's fortunes and an ecstatic exploration of the inner lives of its members. With her perfectly-pitched prose and flawless technique, Selasi does more than merely renew our sense of the African novel: she renews our sense of the novel, period. An astonishing debut' Teju Cole, author of Open City

**Winner of the Arthur C. Clarke Award 2020**

'The great African novel of the twenty-first century' Tade Thompson, author of Rosewater

On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there was once a colonial settlement called The Old Drift.

In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles his fate with those of an Italian hotelier and an African busboy.

So begins a cycle of unwitting retribution between three Zambian families as they collide and converge over the course of the century, into the present and beyond.

'Extraordinary, ambitious, evocative, dazzling' Salman Rushdie

'Brilliant . . . heartbreaking' Sunday Times

'Charming, heartbreaking and breathtaking' Carmen Maria Machado, author of In the Dream House

I don't want to tell you what happened; I want to tell you how it felt.

Cassandra Williams is twelve; her little brother Wayne is seven. One day, when they are alone together, there is an accident, and Wayne is lost forever. Though his body is never recovered, their mother is unable to stop searching. The missing boy cleaves the family with doubt: How do you grieve an absence? And how does it feel?

As C grows older, she relives and retells her story, and she sees her brother everywhere: in coffee shops, subway cars, cities on both sides of America. Here is her brother's older face, the colour of his eyes, his lanky limbs, the way he seems to recognise her too. But it can't be, of course. Or can it? And then one day, there is another accident, and C meets a man both mysterious and familiar, a man who is also searching for someone, as well as his own place in the world. His name is Wayne.

Namwali Serpell's piercing new novel captures the ongoing and uncanny experience of grief, as the past breaks over the present, like waves in the sea. The Furrows is a bold and beautiful exploration of memory and mourning that twists unexpectedly into a masterful story of mistaken identity, slippery reality, black experience, and the wishful and sometimes willful longing for reunion with those we've lost.

Roger Robinsons range is wide: the joys and pains of family life; observations on the threatening edge of violence below the surface energies of Black British territories in London; memories of an older Trinidad and visits that tell him both how he and the country have changed; emblematic poems on the beauty and often bizarre strangeness of the world of animals; quizzical responses to the strange, the heartening, and the appalling in incidents encountered in daily life; reflections on the purposes and costs of making art, as in fine poems on a George Stubbs painting, cocaine and Coltranes Ascension, and questioning thoughts on the ideologies of Toni Morrison and John Milton. The poems express a fierce anger against injustice, but also convey the irrepressible sense that Roger Robinson cannot help but love people for their humour, oddity and generosity of spirit.

'With A Portable Paradise, Roger Robinson shows us that he can be the voice of our communal consciousness, while at the same time always subverting, playing and beguiling with his beautiful verse' Afua Hirsch