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A rich, ambitious debut novel (The New York Times Book Review) that reveals the ways in which a Jamaican family forms and fractures over generations, in the tradition of Homegoing by Yaa Gyasi.
*An Entertainment Weekly, Millions, and LitHub Most Anticipated Book of 2020 Pick and Buzz Magazines Top New Book of the New Decade*
Stanford Solomons shocking, thirty-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley.
And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead.
These Ghosts Are Family revolves around the consequences of Abels decision and tells the story of the Paisley family from colonial Jamaica to present-day Harlem. There is Vera, whose widowhood forced her into the role of a single mother. There are two daughters and a granddaughter who have never known they are related. And there are others, like the houseboy who loved Vera, whose lives might have taken different courses if not for Abel Paisleys actions.
This rich and layered story (Kirkus Reviews) explores the ways each character wrestles with their ghosts and struggles to forge independent identities outside of the family and their trauma. The result is a beguilingvividly drawn, and compelling (BookPage, starred review) portrait of a family and individuals caught in the sweep of history, slavery, migration, and the more personal dramas of infidelity, lost love, and regret.
Eleven Mayweathers went on vacation. Ten came home.
Its been years since the fragmented Mayweather clan was all in one place, but the engagement of Addison and Masons mom to the dad of their future stepbrother, Theo, brings the whole family to sunny Cancún, Mexico, for winter break. Add cousin Natalia to the mix, and it doesnt take long for tempers to fray and tensions to rise. A week of forced family fun reveals that everyone has something to hide, and as secrets bubble to the surface, no one is safe from the fallout. By the end of the week, one member of the reunion party will be deadand everyones a suspect:
The peacekeeper: Addison needs a better hiding place.
The outsider: Theo just wants to mend fences.
The romantic: Natalia doesnt want to talk about the past.
The hothead: Mason needs to keep his temper under control.
It started as a week in paradise meant to bring them together. But the Mayweathers are about to learn the hard way that family bonding can be deadly.
*Picked by the Guardian and Evening Standard as a Summer 2022 read*
'Fabulous: vivid and funny, sometimes heart-rendingly sad' Guardian
'Enchanting, funny and layered in pathos... Sadie Jones' unusual take on the rural dream is a gift of a book' Sarah Langford
'No one conjures the magic of place like Sadie Jones... A beautiful, haunting novel about the limits of love and the loss of innocence' Clare Clark
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This is the story of how we came to Frith. And we're never, ever, ever leaving.'
Amy Connell and Lan Honey are having the best childhood, growing up on a West Country farm - three families, a couple of lodgers, goats, dogs and an orphaned calf called Gabriella Christmas.
The parents are best friends too. Originally from the city, they're learning about farming: growing their own vegetables, milking the goats, slaughtering chickens and scything the hay--
'Mind your eyes! Don't break your neck! Careful!'
The adults are far too busy to keep an eye on Amy and Lan, and Amy and Lan would never tell them about climbing on the high barn roof, or what happened with the axe that time, any more than their parents would tell them the things they get up to - adult things, like betrayal - that threaten to bring the whole fragile idyll tumbling down...
'A gently episodic and humorous tale whose sharp-eyed, effervescent child narrators entertain... Beguilingly readable' Daily Mail
'Jones's evocation of childhood is spot-on: its fierce passions, disaffections, loyalties and suffering' Financial Times
'Mesmerising' Good Housekeeping, *The 10 best books to read this month*
'a book of great candour and compassion written by a storyteller in whose skillful hands the tragic experiences of a Trinidadian family become lessons in love, life and grace' - Cherie Jones, author of How the One-Arm Sister Sweeps Her House
An intricately woven tapestry of stories where survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family.
Celeste Mohammed's second novel-in-stories, Ever Since We Small, is a family saga which covers a sweeping landscape from the days of the British Raj in India, to multicultural modern Trinidad. Written in a blend of Standard English and several flavours of Trinidad kriol, the book follows the bloodline of a young woman, Jayanti, after her decision to become a girmitiya, an indentured labourer in the Caribbean.
Jayanti's grandson, Lall Gopaul, seeks to escape the rural village where he was born, but becomes seduced and corrupted by urban life. His son, Shiva, is forced to take a child-bride, Salma, but never recovers from the guilt. Heartache follows for their three children - Anand, Nadya and Abby - who must each find a way to accept and yet move past their parents' failed example.
Along the journey of these ten interconnected stories, the alchemy necessary to turn the Gopauls' inheritance of pain into a ""generation of gold"" requires intervention by the living and dead, the ""real"" and the mythical, the mundane and the magical, the secular and the sacred.