'Myself and Hugh . . . We're taking a break.'

'A city-with-fancy-food sort of break?'

If only.

Amy's husband Hugh says he isn't leaving her.

He still loves her, he's just taking a break - from their marriage, their children and, most of all, from their life together.

Six months in South-East Asia. And nothing she says can stop him.

But when does a break become a break-up?

For a lot can happen in six months. And it's enough to send Amy and her family of gossips, misfits and troublemakers teetering over the edge.

When Hugh returns, if he returns, will he be the same man she married?

Will Amy be the same woman?

Because if Hugh is on a break from their marriage, then isn't she?
_____________

'Mercilessly funny' The Times

'Just brilliant' Sunday Times

'I laughed . . . I cried' Daily Mail

'Full of darkness and light, this is Keyes at her classic and most brilliant best' Red

With an introduction by author Teju Cole, A House for Mr Biswas is Nobel Prize in Literature winner V. S. Naipaul's unforgettable masterpiece.

Heart-rending and darkly comic, it has been hailed as one of the twentieth century's finest novels, a classic that evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad.

He was struck again and again by the wonder of being in his own house, the audacity of it: to walk in through his own front gate, to bar entry to whoever he wished, to close his doors and windows every night.

Mr. Biswas has been told since the day of his birth that misfortune will follow him  and so it has. Meaning only to avoid punishment, he causes the death of his father and the dissolution of his family.

Wanting simply to flirt with a beautiful woman, he ends up marrying her, and reluctantly relying on her domineering family for support. But in spite of endless setbacks, Mr. Biswas is determined to achieve independence, and so he begins his gruelling struggle to buy a home of his own.

The year is 2059. Nineteen-year-old Paige Mahoney is working in the criminal underworld of Scion London, based at Seven Dials, employed by a man named Jaxon Hall. Her job: to scout for information by breaking into peoples minds. For Paige is a dreamwalker, a clairvoyant and, in the world of Scion, she commits treason simply by breathing.

It is raining the day her life changes for ever. Attacked, drugged and kidnapped, Paige is transported to Oxford  a city kept secret for two hundred years, controlled by a powerful, otherworldly race. Paige is assigned to Warden, a Rephaite with mysterious motives. He is her master. Her trainer. Her natural enemy. But if Paige wants to regain her freedom she must allow herself to be nurtured in this prison where she is meant to die.

The Bone Season introduces a compelling heroine and also introduces an extraordinary young writer, with huge ambition and a teeming imagination. Samantha Shannon has created a bold new reality in this riveting debut.

Carol Ann Duffy has been a bold and original voice in British poetry since the publication of Standing Female Nude in 1985. Since then she has won every major poetry prize in the United Kingdom and sold over one million copies of her books around the world. She was appointed Poet Laureate in 2009.

Her first Collected Poems includes all of the poems from her nine acclaimed volumes of adult poetry - from Standing Female Nude to Ritual Lighting (2014) - as well as her much-loved Christmas poems, which celebrate aspects of Christmas: from the charity of King Wenceslas to the famous truce between the Allies and the Germans in the trenches in 1914.

Endlessly varied, wonderfully inventive, and emotionally powerful, the poems in this book showcase Duffy's full poetic range: there are poems written in celebration and in protest; public poems and deeply personal ones; poems that are funny, sexy, heartbroken, wise. Taken together they affirm her belief that 'poetry is the music of being human'.

Collected Poems is both the perfect single-volume introduction for new readers and a glorious opportunity for old friends to celebrate thirty years' work by one of the country's greatest literary talents. It confirms indisputably that 'Carol Ann Duffy is the most humane and accessible poet of our time' (Rose Tremain, Guardian).

With each passing day, Kelsea Glynn is growing into her new responsibilities as Queen of the Tearling. By stopping the shipments of slaves to the neighbouring kingdom of Mortmesne, she crossed the Red Queen, a brutal ruler whose power derives from dark magic, who is sending her fearsome army into the Tearling to take what is hers. And nothing can stop the invasion.
But as the Mort army draws ever closer, Kelsea develops a mysterious connection to a time before the Crossing, and she finds herself relying on a strange and possibly dangerous ally: a woman named Lily, fighting for her life in a world where being female can feel like a crime. The fate of the Tearling  and that of Kelseas own soul  may rest with Lily and her story, but Kelsea may not have enough time to find out.
In this dazzling sequel to her bestselling debut The Queen of the Tearling, Erika Johansen brings back favourite characters, including the Mace and the Red Queen, and introduces unforgettable new players, adding exciting layers to her multidimensional tale of magic, mystery and a fierce young heroine.