Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.

'Swooningly glorious' The Times

'Indisputably her best volume' Sunday Times

The Bees is Carol Ann Duffy's first collection of poems as Poet Laureate. In it she uses her full poetic range: there are drinking songs, love poems, poems of political anger; there are elegies, too, for beloved friends, and - most movingly - the poet's own mother.

Woven and weaving through the book is its presiding spirit: the bee. Sometimes the bee is Duffy's subject, sometimes it strays into the poem, or hovers at its edge. In the end, Duffy's point is clear: the bee symbolizes what we have left of grace in the world, and what is most precious and necessary for us to protect. The Bees, at once intimate and public, is a work of great power from one of our most cherished poets.