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**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**
'An epoch-defining book' Matt Haig
'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard
Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman
A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019
Longlisted for the PEN / E.O. Wilson Literary Science Writing Award
It is worse, much worse, than you think.
The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says it isn't happening at all, and if your anxiety about it is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible, even within the lifetime of a teenager today.
Over the past decades, the term ""Anthropocene"" has climbed into the popular imagination - a name given to the geologic era we live in now, one defined by human intervention in the life of the planet. But however sanguine you might be about the proposition that we have ravaged the natural world, which we surely have, it is another thing entirely to consider the possibility that we have only provoked it, engineering first in ignorance and then in denial a climate system that will now go to war with us for many centuries, perhaps until it destroys us. In the meantime, it will remake us, transforming every aspect of the way we live-the planet no longer nurturing a dream of abundance, but a living nightmare.
Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover.
When the Wanderers Come Home is a womans story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.
An indelible portrait of one of the most famous and beloved authors in the canon of American literature a collection of letters between Harper Lee and one of her closest friends that reveals the famously private writer as never before, in her own words.
The violent racism of the American South drove Wayne Flynt away from his home in Alabama, but the publication of To Kill a Mockingbird, Harper Lees classic novel about courage, community and equality, inspired him to return in the early 1960s and craft a career documenting and teaching Alabama history. His writing resonated with many, in particular three sisters: Louise, Alice and Nelle Harper Lee. The two families first met in 1983, and a mutual respect and affection for the states history and literature matured into a deep friendship between them.
Wayne Flynt and Nelle Harper Lee began writing to one other while she was living in New York heartfelt, insightful and humorous letters in which they swapped stories, information and opinions on topics including their families, books, social values, health concerns and even their fears and accomplishments. Though their earliest missives began formally Dear Dr Flynt as the years passed, their exchanges became more intimate and emotional, opening with Dear Friend and closing with I love you, Nelle.
This is a remarkable compendium of a correspondence that lasted for a quarter century until Harper Lees death in February 2016 and it offers an incisive and compelling look into the mind, heart and work of one of the most beloved authors in modern literary history.