The inspiration for the new film from Oscar award-winning director Barry Jenkins

'Achingly beautiful' Guardian

Harlem in the 1970s: the black soul of New York City. Tish is nineteen and the man she loves - her lifelong friend and the father of her unborn child - has been jailed for a crime he did not commit. As their families come together to fight for his freedom, will their love be enough?

'Soulful . . . Racial injustice may flatten ""the black experience"" into one single, fearful, constantly undermined way of life - but black life, black love, is so much larger than that . . . It's one of the signature lessons of Baldwin's work that blackness contains multitudes' Vanity Fair

'If Beale Street Could Talk affirms not only love between a man and a woman, but love of a type that is dealt with only rarely in contemporary fiction - that between members of a family' Joyce Carol Oates

The Heinemann Book of Caribbean Poetry described Kendel Hippolyte as 'perhaps the outstanding Caribbean poet of his generation'. Until now his poetry has only been available in anthologies and slim collections which have been little seen outside St. Lucia. Birthright reveals him as a poet who combines acute intelligence and passion, a barbed wit and lyrical tenderness.

He writes with satirical anger from the perspective of an island marginalised by the international money markets in a prophetic voice whose ancestry is Blake, Whitman and Lawrence, married to the contemporary influences of reggae, rastafarian word-play and a dread cosmology. He writes, too, with an acute control of formal structures, of sound, rhythm and rhyme - there are sonnets and even a villanelle - but like 'Bunny Wailer flailing Apollyon with a single song', his poetry has 'a deepdown spiritual chanting rising upfull-I'.

Whilst acknowledging a debt of influence and admiration to his fellow St. Lucian, Derek Walcott, Kendel Hippolyte's poetry has a direct force which is in the best sense a corrective to Walcott's tendency to romanticise the St. Lucian landscape and people.

""It is clear that Hippolyte's social consciousness is subordinated to his fascination with words, with the poetics of language, and so in the end we are left with a sense of having taken a journey with a poet who loves the musicality of his words. His more overtly craft conscious neo-formalist pieces are deft, efficient and never strained. Villanelles, sonnets and interesting rhyming verse show his discipline and the quiet concentration of a poet who does not write for the rat race of the publishing world, but for himself. One gets the sense of a writer working in a laboratory patiently, waiting for the right image to come, and then placing it there only when it comes. This calm, this devotion is enviable for frenetic writers like myself who act as if there is a death wish on our heads or a promise of early passing. Our poetry, one suspects, suffers. Hippolyte shows no such anxiety and the result is verse of remarkable grace and beauty.""
Kwame Dawes.

Kendel Hippolyte was born in St.Lucia in 1952, he studied and lived in Jamaica in the 1970s, where he explored his talents as a poet, playwright and director.

LONGLISTED FOR THE MAN BOOKER PRIZE 2017

SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS 2017

'Smith's finest. Extraordinary, truly marvellous' Observer

A dazzlingly exuberant novel moving from north west London to West Africa, from the critically acclaimed author of White Teeth, On Beauty and Grand Union

Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: about rhythm and time, black bodies and black music, what it means to belong, what it means to be free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten either.

Bursting with energy, rhythm and movement, Swing Time is Zadie Smith's most ambitious novel yet. It is a story about music and identity, race and class, those who follow the dance and those who lead it . . .

'Superb' Financial Times 'Breathtaking' TLS 'Pitch-perfect' Daily Telegraph

'There is still no better chronicler of the modern British family than Zadie Smith' Telegraph