In Nomenclatures of Invisibility, Shiferraw calls us to carve out space for the multitudes of selves we carry when we migrate across boundaries of body, language, and land. With momentum, giving name to everything in her path from the longing that comes with migration to her beloved eucalyptus tree, she blurs physical and temporal borders, paying homage to ancestors past, present, and future. Shiferraw writes unapologetically against erasure, against invisibility, instead creating a space that holds grief lovingly, that can tend to the wounds held and held in the endlessly-traveling body. Brilliant with abundance and texture, Shiferraws poems dismantle the empire's sterile use of language, both historical and present. 

In Nomenclatures of Invisibility, Mahtem Shiferraw builds a home within her poems, attentively naming those who exist within them out of invisibility and into the radiant light: We walk / in unison too: our backs bending at once, / our arms breaking, our abdomens / kicked into silence, thighs bleeding. Through / this I ask; am I still lit? And they, again /what else would you be

'In this thrilling debut collection Alexia Arthurs is all too easy to love.' Zadie Smith
'Impressive' Observer
'A summer must-read' Stylist

One of Oprah Magazine's 15 Favourite Books of 2018.

'There is a way to be cruel that seems Jamaican to me.'

Tenderness and cruelty, loyalty and betrayal, ambition and regret - Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection of short stories, How to Love a Jamaican, about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and Midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life.

In 'Light Skinned Girls and Kelly Rowlands', an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In 'Mash Up Love', a twin's chance sighting of his estranged brother - the prodigal son of the family - stirs up unresolved feelings of resentment. In 'Bad Behavior', a mother and father leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In 'Mermaid River', a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In 'The Ghost of Jia Yi', a recently murdered international student haunts a despairing Jamaican athlete recruited to an Iowa college. And in 'Shirley from a Small Place', a world-famous pop star retreats to her mother's big new house in Jamaica, which still holds the power to restore something vital.

The winner of the Paris Review's Plimpton Prize for 'Bad Behavior', Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction's most dynamic and essential young authors.

Have you ever played two truths and a lie?

It was Emma's first summer away from home. She made friends. She played games. And she learned how to lie.

Then three of her new friends went into the woods and never returned. . .

Now, years later, Emma has been asked to go back to the newly re-opened Camp Nightingale. She thinks shes laying old ghosts to rest but really shes returning to the scene of a crime.

The gripping new thriller from the bestselling author of Finale Girls - perfect for fans of A. J. Finn's The Woman in the Widow

Because Emmas innocence might be the biggest lie of all. . .