*** NEW YORK TIMES BESTSELLER ***

""In my dreams, I saw a city fall into the sea. I heard the cries of thousands. I saw flames that outshone the lamps of heaven. And all the world was shaken...""

At the novel's centre: the vampire Lestat de Lioncourt, hero, leader, irresistible force, irrepressible spirit, battling (and ultimately reconciling with) a strange otherworldly form that has taken possession of his undead body and soul. This ancient and mysterious power and unearthly spirit of vampire lore has all the force, history and insidious reach of the unknowable Universe.

It is through this spirit, previously considered benign for thousands of vampire years and throughout the Vampire Chronicles, that we come to be told the hypnotic tale of a great sea power of ancient times; a mysterious heaven on earth situated on a boundless continent -- and of how and why this force came to build and rule the great legendary empire of centuries ago that thrived in the Atlantic Ocean.

And as we learn of the mighty powers of this lost kingdom of Atalantaya, the lost realms of Atlantis, we come to understand its secrets, and how and why the vampire Lestat, indeed all the vampires, must reckon so many millennia later with the terrifying force of this ageless, all-powerful Atalantaya spirit.

A hugely influential philosophical work of prose poetry, Kahlil Gibran's The Prophet is an inspirational, allegorical guide to living

First published in the 1920's, The Prophet is perhaps the most famous work of religious fiction of the twentieth century, and has sold millions of copies in more than twenty languages. Gibran's Prophet speaks of many things central to daily life: love, marriage, death, beauty, passion, eating, work and play. The spiritual message he imparts, of finding divinity through love, blends eastern mysticism, religious faith and philosophy with simple advice. The Prophet became the bible of 1960s culture and was credited with founding the New Age movement, yet it still continues to inspire people around the world today. This edition is illustrated with Gibran's famous visionary paintings.

'His work goes on from generation to generation'
Daily Mail

'To read it was to transcend ordinary levels of perception, to become aware ... of a more intense level of being'
Independent

FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER

LONGLISTED FOR THE ORANGE PRIZE FOR FICTION 2009
WINNER OF THE ORANGE YOUTH PANEL AWARD 2009
FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010

'A phenomenal book. It is so ingenious and so novel. Think The Handmaid's Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.' Women's Prize for Fiction Podcast

Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage. The next, someone puts a bag over her head and she ends up in the hold of a slave-ship sailing to the New World . . .

In this fantastically imaginative inversion of the transatlantic slave trade - in which 'whytes' are enslaved by black people - Bernardine Evaristo has created a thought-provoking satire that is as accessible and readable as it is intelligent and insightful. Blonde Roots brings the shackles and cries of long-ago barbarity uncomfortably close and raises timely questions about the society of today.

'A bold and brilliant game of counterfactual history. Evaristo keep[s] her wit and anger at a spicy simmer throughout' Daily Telegraph

'So human and real. Re-imagines past and present with refreshing humour and intelligence' Guardian

'A brilliant satire whose flashes of comedy make the underlying tragedy all the more poignant' Scotland on Sunday

CHOSEN AS SERVICE95 BOOK CLUB'S BOOK OF THE MONTH FOR AUGUST 2023

A literary masterpiece DAILY MAIL

A gorgeous, pitiless account of love, violence and betrayal TIME

In 1960s Nigeria, three lives intersect. Ugwu works as a houseboy for a university professor. Olanna has abandoned her life of privilege in Lagos to live with her charismatic lover, the lecturer. And Richard, a shy Englishman, is in thrall to Olannas enigmatic twin sister. Amongst the horror of Nigerias civil war, loyalties are tested as they are pulled apart and thrown together in ways none of them imagined.

Winner of the Womens Prize for Fiction, Chimamanda Ngozi Adichies masterpiece is a novel about race, class and the end of colonialism  and the ways in which love can complicate everything.

An immense achievement OBSERVER

Vividly written, thrumming with life  a remarkable novel JOYCE CAROL OATES

Adichie entwines love and politics to a degree rarely achieved by novelists ELLE

John Self is a consumer extraordinaire.

Rolling between London and New York he closes movie deals and spends feverishly, all the while grabbing everything he can to sate his massive appetites: alcohol, tobacco, pills, pornography and mountains of junk food.

But Johns excesses havent gone unnoted. Menaced by a phone stalker, his high-wire, hoggish lifestyle is about to bring him face-to-face with the secret of his success.

'Terribly, terminally funny: laughter in the dark, if ever I heard it' Guardian

**SUNDAY TIMES AND THE NEW YORK TIMES BESTSELLER**

'An epoch-defining book' Matt Haig
'If you read just one work of non-fiction this year, it should probably be this' David Sexton, Evening Standard

Selected as a Book of the Year 2019 by the Sunday Times, Spectator and New Statesman
A Waterstones Paperback of the Year and shortlisted for the Foyles Book of the Year 2019
Longlisted for the PEN / E.O. Wilson Literary Science Writing Award

It is worse, much worse, than you think.

The slowness of climate change is a fairy tale, perhaps as pernicious as the one that says it isn't happening at all, and if your anxiety about it is dominated by fears of sea-level rise, you are barely scratching the surface of what terrors are possible, even within the lifetime of a teenager today.

Over the past decades, the term ""Anthropocene"" has climbed into the popular imagination - a name given to the geologic era we live in now, one defined by human intervention in the life of the planet. But however sanguine you might be about the proposition that we have ravaged the natural world, which we surely have, it is another thing entirely to consider the possibility that we have only provoked it, engineering first in ignorance and then in denial a climate system that will now go to war with us for many centuries, perhaps until it destroys us. In the meantime, it will remake us, transforming every aspect of the way we live-the planet no longer nurturing a dream of abundance, but a living nightmare.