A retired fisherman, Monty Cupidon, encounters a naked, bloodied and traumatised woman standing at the cross-roads. He offers comfort and takes her in. Suffering from amnesia, she cannot tell him anything about herself.
The only clues are the signs that she has once worn a wedding ring, has a butterfly tattoo and red nail polish on her toes. In the absence of memory, he names her Esther. So begins a remarkable sequence of poems that explores many dimensions of liminality. Back of Mount Peace occupies a space between lyric and narrative, between reflection and story. It explores the space between body and mind, making Esther's halting discovery of her self through her body, which like a tree bears its indelible history and, unlike the mind, 'doesn't forget its grievances', work both as moving narrative device and a deeply sensed and sensual reminder of the physicality of existence.
Above all, this is a sequence that explores a relationship which begins in a primal Edenic space of innocent discovery in which, as Monty hopes, 'the hallelujah's of new love will begin', but which, like all relationships must enter history, the decay of time and the corruptions of knowledge.
In the use of rhyme and other patterns of sound, Back of Mount Peace shows an exceptional delicacy of formal control that constantly reinforces the poem's insights and moving conclusions.

Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.

Roger Robinsons range is wide: the joys and pains of family life; observations on the threatening edge of violence below the surface energies of Black British territories in London; memories of an older Trinidad and visits that tell him both how he and the country have changed; emblematic poems on the beauty and often bizarre strangeness of the world of animals; quizzical responses to the strange, the heartening, and the appalling in incidents encountered in daily life; reflections on the purposes and costs of making art, as in fine poems on a George Stubbs painting, cocaine and Coltranes Ascension, and questioning thoughts on the ideologies of Toni Morrison and John Milton. The poems express a fierce anger against injustice, but also convey the irrepressible sense that Roger Robinson cannot help but love people for their humour, oddity and generosity of spirit.

'With A Portable Paradise, Roger Robinson shows us that he can be the voice of our communal consciousness, while at the same time always subverting, playing and beguiling with his beautiful verse' Afua Hirsch