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When Shad sees movement on the island offshore, he thinks its just a goat. But it turns out to be Simone, an American who has run away from her professional and personal life in the U.S., an intriguing woman who captures Eric's heart. Always keeping his ear to the ground, Shad discovers that a gunshot heard near Simones place late one night isnt exactly friendly fire, rather its tied to a plot to harm Simone and ultimately manipulate local elections. But why does someone want to harm Simone? And what does she have to do with the elections? Only Shad can find out.
An irresistible character is born in The Goat Woman of Largo Bay and Royes wonderfully blends suspense and the soul of the islands in this smart debut.
In Nomenclatures of Invisibility, Shiferraw calls us to carve out space for the multitudes of selves we carry when we migrate across boundaries of body, language, and land. With momentum, giving name to everything in her path from the longing that comes with migration to her beloved eucalyptus tree, she blurs physical and temporal borders, paying homage to ancestors past, present, and future. Shiferraw writes unapologetically against erasure, against invisibility, instead creating a space that holds grief lovingly, that can tend to the wounds held and held in the endlessly-traveling body. Brilliant with abundance and texture, Shiferraws poems dismantle the empire's sterile use of language, both historical and present.
In Nomenclatures of Invisibility, Mahtem Shiferraw builds a home within her poems, attentively naming those who exist within them out of invisibility and into the radiant light: We walk / in unison too: our backs bending at once, / our arms breaking, our abdomens / kicked into silence, thighs bleeding. Through / this I ask; am I still lit? And they, again /what else would you be