'A brilliant, powerful elegy from a living brother to a lost one, yet pulsing with rhythm, and beating with life' Marlon James, Winner of the Man Booker Prize

NOW A FILM STARRING LAMAR JOHNSON AND AARON PIERRE
WINNER OF THE ROGERS WRITERS' TRUST FICTION PRIZE
WINNER OF THE TORONTO BOOK AWARD
LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION
LONGLISTED FOR THE SCOTIABANK GILLER PRIZE
A GUARDIAN BOOK OF THE YEAR

Michael and Francis are the bright, ambitious sons of Trinidadian immigrants. Coming of age in the outskirts of a sprawling city, the brothers battle against careless prejudices and low expectations.

While Francis aspires to a future in music, Michael dreams of Aisha, the smartest girl in their school, whose eyes are firmly set on a life elsewhere. But one sweltering summer night the hopes of all three are violently, irrevocably cut short.

In this timely and essential novel, David Chariandy builds a quietly devastating story about the love between a mother and her sons, the impact of race, masculinity and the senseless loss of young lives.

The magnificent novel by bestselling and award-winning Kate Atkinson: 'A masterpiece' - Telegraph; 'Pageturner' - Evening Standard; 'Wise, funny and paced like a thriller' Observer

In 1940, eighteen-year old Juliet Armstrong is reluctantly recruited into the world of espionage. Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past for ever.

Ten years later, now a producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.

Transcription is a work of rare depth and texture, a bravura modern novel of extraordinary power, wit and empathy. It is a triumphant work of fiction from one of this countrys most exceptional writers.

'How vehemently most novelists will wish to produce a masterpiece as good' Telegraph
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LONGLISTED FOR THE BOOKER PRIZE 2020

'DEVASTATING' Marlon James, 'A MODERN CLASSIC' Andrew Sean Greer, 'INCREDIBLE' Lemn Sissay, 'BRILLIANT' Salman Rushdie, 'MAGNIFICIENT' Aminatta Forna, 'EPIC' Mary Morris, 'WONDERFUL' Laila Lalami, 'UNFORGETTABLE' The Times, 'REMARKABLE' New York Times, 'A MASTERPIECE' Washington Post

ETHIOPIA. 1935.

With the threat of Mussolini's army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie's army, rushes to mobilise his strongest men before the Italians invade.

Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy's most vicious officers?

The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

Maaza Mengiste was born in Addis Ababa, Ethiopia. A Fulbright Scholar and professor in the MFA in Creative Writing & Literary Translation programme at Queens College, she is the author of The Shadow King, which was longlisted for the Booker Prize, and Beneath the Lion's Gaze, named one of the Guardian's Ten Best Contemporary African Books. Her work can be found in the New Yorker, Granta, and the New York Times, among other publications. She lives in New York City.

@MaazaMengiste | maazamengiste.com

**Winner of the Arthur C. Clarke Award 2020**

'The great African novel of the twenty-first century' Tade Thompson, author of Rosewater

On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there was once a colonial settlement called The Old Drift.

In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles his fate with those of an Italian hotelier and an African busboy.

So begins a cycle of unwitting retribution between three Zambian families as they collide and converge over the course of the century, into the present and beyond.

'Extraordinary, ambitious, evocative, dazzling' Salman Rushdie

'Brilliant . . . heartbreaking' Sunday Times

'Charming, heartbreaking and breathtaking' Carmen Maria Machado, author of In the Dream House

An indelible portrait of one of the most famous and beloved authors in the canon of American literature  a collection of letters between Harper Lee and one of her closest friends that reveals the famously private writer as never before, in her own words.

The violent racism of the American South drove Wayne Flynt away from his home in Alabama, but the publication of To Kill a Mockingbird, Harper Lees classic novel about courage, community and equality, inspired him to return in the early 1960s and craft a career documenting and teaching Alabama history. His writing resonated with many, in particular three sisters: Louise, Alice and Nelle Harper Lee. The two families first met in 1983, and a mutual respect and affection for the states history and literature matured into a deep friendship between them.

Wayne Flynt and Nelle Harper Lee began writing to one other while she was living in New York  heartfelt, insightful and humorous letters in which they swapped stories, information and opinions on topics including their families, books, social values, health concerns and even their fears and accomplishments. Though their earliest missives began formally  Dear Dr Flynt  as the years passed, their exchanges became more intimate and emotional, opening with Dear Friend and closing with I love you, Nelle.

This is a remarkable compendium of a correspondence that lasted for a quarter century  until Harper Lees death in February 2016  and it offers an incisive and compelling look into the mind, heart and work of one of the most beloved authors in modern literary history.