From the author of Book of the Little Axe, nominated for the Hurston/Wright Legacy Award, and the critically acclaimed 'Til the Well Runs Dry, a riveting literary novel with the sharp edges of a thriller about the abuses of history and the costs of revenge, set between Washington, D.C., and Johannesburg, South Africa

Prudence Wright seems to have it all: a loving husband, Davis; a spacious home in Washington, D.C.; and the former glories of a successful career at McKinsey, which now enables her to dedicate her days to her autistic son, Roland. When she and Davis head out for dinner with one of Daviss new colleagues on a stormy summer evening filled with startling and unwelcome interruptions, Prudence has little reason to think that certain details of her history might arise sometime between cocktails and the appetizer course.

Yet when Daviss colleague turns out to be Matshediso, a man from Prudences past, she is transported back to the formative months she spent as a law student in South Africa in 1996. As an intern at a Johannesburg law firm, Prudence attended sessions of the Truth and Reconciliation hearings that uncovered the many horrors and human rights abuses of the Apartheid state, and which fundamentally shaped her sense of righteousness and justice. Prudence experienced personal horrors in South Africa as well, long hidden and now at risk of coming to light. When Matshediso finally reveals the real reason behind his sudden reappearance, he will force Prudence to examine her most deeply held beliefs and to excavate inner reserves of resilience and strength.

Lauren Francis-Sharmas previous two novels have established her as a deft chronicler of history and its intersections with flawed humans struggling to find peace in unjust circumstances. With keen insight and gripping tension, Casualties of Truth explosively mines questions of whether we are ever truly able to remove the stains of our past and how we may attempt to reconcile with unquestionable wrongs.

Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclairs Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems. 
 

SHORTLISTED FOR THE 2025 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE

Pumkin Patterson dreams of a life beyond her Jamaican hometown. But what we dream of and where we belong arent always the same thing

A dazzling coming-of-age novel with an unforgettable heroine Red
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Eleven-year-old Pumpin knows a few things:

That her mother has never loved her
That Aunt Sophie does
That baking makes everything better
And France is a long way from her Jamaican home

What Pumkin doesnt know is:

What will happen when Aunt Sophie leaves for France
How far a mother can go to hurt a daughter
Why a secret can rot a family
That her cakes might just help save her life

Whatever happens, Pumkin knows she needs someone to love her.

But she just doesnt know who . . .
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Praise for Sweetness in the Skin

Serves up a taste of Jamaica that will have you craving coconut drops, gizzada and sweet potato pudding The Times

Wonderful, tender, vivid Glamour