*Picked by the Guardian and Evening Standard as a Summer 2022 read*

'Fabulous: vivid and funny, sometimes heart-rendingly sad' Guardian

'Enchanting, funny and layered in pathos... Sadie Jones' unusual take on the rural dream is a gift of a book' Sarah Langford

'No one conjures the magic of place like Sadie Jones... A beautiful, haunting novel about the limits of love and the loss of innocence' Clare Clark

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This is the story of how we came to Frith. And we're never, ever, ever leaving.'

Amy Connell and Lan Honey are having the best childhood, growing up on a West Country farm - three families, a couple of lodgers, goats, dogs and an orphaned calf called Gabriella Christmas.
The parents are best friends too. Originally from the city, they're learning about farming: growing their own vegetables, milking the goats, slaughtering chickens and scything the hay--

'Mind your eyes! Don't break your neck! Careful!'

The adults are far too busy to keep an eye on Amy and Lan, and Amy and Lan would never tell them about climbing on the high barn roof, or what happened with the axe that time, any more than their parents would tell them the things they get up to - adult things, like betrayal - that threaten to bring the whole fragile idyll tumbling down...

'A gently episodic and humorous tale whose sharp-eyed, effervescent child narrators entertain... Beguilingly readable' Daily Mail

'Jones's evocation of childhood is spot-on: its fierce passions, disaffections, loyalties and suffering' Financial Times

'Mesmerising' Good Housekeeping, *The 10 best books to read this month*

WINNER OF THE 2026 PEN AMERICA OPEN BOOK AWARD; WINNER OF THE 2026 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE (FICTION); L.A. TIMES BOOK PRIZE FINALIST FOR THE 2025 ART SEIDENBAUM AWARD FOR FIRST FICTION; SHORTLISTED FOR THE 2025 CENTER FOR FICTION FIRST NOVEL PRIZE

A bold, witty, magical new voice in fiction, Justin Haynes weaves a cross-generational Caribbean story of migration, superstition, and a search for family in the novel Ibis.
 
This brilliant, shape-shifting novel teems with charms and curses, stunning disasters and startling moments of grace. Jenny Offill, author of Dept. of Speculation and Weather
 
Justin Haynes proves himself an absolute alchemist of fiction . . . This is a stunning debut as witty as is it is rapturous. Jericho Brown, MacArthur Fellow and Pulitzer Prizewinning author of The Tradition
 
Evoking the themes of Ovid, the language of Toni Morrison, and the genre-blending of Octavia Butler, Haynes scales the heights of his ambition. This soaring work is not to be missed. Publishers Weekly, Starred Review

There is bad luck in New Felicity. The people of the small coastal village have taken in Milagros, an 11-year-old Venezuelan refugee, just as Trinidads government has begun cracking down on undocumented migrantsand now an American journalist has come to town asking questions.

New Felicitys superstitious fishermen fear the worst, certain theyve brought bad luck on the village by killing a local witch who had herself murdered two villagers the year before. The town has been plagued since her death by alarming visits from her supernatural mother, as well as by a mysterious profusion of scarlet ibis birds.

Skittish that the reporters story will bring down the wrath of the ministry of national security, the fishermen take things into their own hands. From there, we go backward and forward in timefrom the towns early days, when it was the site of a sugar plantation, to Milagross adulthood as she searches for her mother across the Americas.

In between, through the voices of a chorus of narrators, we glimpse moments from various villagers lives, each one setting into motion events that will reverberate outwards across the novel and shape Milagross fate.

With kinetic, absorbing language and a powerful sense of voice, Ibis meditates on the bond between mothers and daughters, both highlighting the migrant crisis that troubles the contemporary world and offering a moving exploration of how to square where we come from with who we become.

'a book of great candour and compassion written by a storyteller in whose skillful hands the tragic experiences of a Trinidadian family become lessons in love, life and grace' - Cherie Jones, author of How the One-Arm Sister Sweeps Her House

An intricately woven tapestry of stories where survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family.

Celeste Mohammed's second novel-in-stories, Ever Since We Small, is a family saga which covers a sweeping landscape from the days of the British Raj in India, to multicultural modern Trinidad. Written in a blend of Standard English and several flavours of Trinidad kriol, the book follows the bloodline of a young woman, Jayanti, after her decision to become a girmitiya, an indentured labourer in the Caribbean.

Jayanti's grandson, Lall Gopaul, seeks to escape the rural village where he was born, but becomes seduced and corrupted by urban life. His son, Shiva, is forced to take a child-bride, Salma, but never recovers from the guilt. Heartache follows for their three children - Anand, Nadya and Abby - who must each find a way to accept and yet move past their parents' failed example.

Along the journey of these ten interconnected stories, the alchemy necessary to turn the Gopauls' inheritance of pain into a ""generation of gold"" requires intervention by the living and dead, the ""real"" and the mythical, the mundane and the magical, the secular and the sacred.

Shortlisted for the Bollinger Everyman Wodehouse Prize For Comic Fiction

'If youre in need of a Succession replacement then this tale of a crumbling English dynasty clinging on to the past while coping with the fallout of the 2008 crash is for you. Pure pleasure' - Stylist

'Delights from start to finish' Mail on Sunday
'Witty and stylish' Sunday Times
'Jilly Cooper territory with a whiff of Joanna Trollope ... a lavish saga' The Times
'Slyly comic' Red

The seat of the Trelawney family for over 800 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets and follies.

But recent generations have been better at spending than making money. Now living in isolated penury, unable to communicate with each other or the rest of the world, the family are running out of options. Three unexpected events will hasten their demise: the sudden appearance of a new relation, an illegitimate, headstrong, beautiful girl; an unscrupulous American hedge fund manager determined to exact revenge; and the crash of 2008.

A love story and social satire set in the parallel and seemingly unconnected worlds of the British aristocracy and high finance, House of Trelawney is also the story of lost and found friendships between three women. One of them will die; another will discover her vocation; and the third will find love.