A Way in the World is a vastly innovative novel exploring colonial inheritance through a series of narratives that span continents, swing back and forth between past and present and delve into both autobiography and fiction.

V. S. Naipaul offers a personal choice of examples of Spanish and British imperial history in the Caribbean, including an imagined vision of Raleigh's last expedition and an introduction to Francisco de Miranda, a would-be liberator and precursor to Bolivar, which are placed within a context of echoing modernity and framed by two more personal, heavily autobiographical sections sketching the narrator - an eloquent yet humble man of Indian descent who grew up in Trinidad but spent much of his adult life in England and Africa.

Meditative and dramatic, these historical reconstructions, imbued with Naipaul's acute perception, drawn with his deft and sensitive touch, and told in his beautifully wrought prose, are transmuted into an astonishing novel exploring the profound and mysterious effect of history on the individual.

V. S. Naipaul was born in Trinidad in 1932. He came to England on a scholarship in 1950. He spent four years at University College, Oxford, and began to write, in London, in 1954. He pursued no other profession.

His novels include A House for Mr Biswas, The Mimic Men, Guerrillas, A Bend in the River, and The Enigma of Arrival. In 1971 he was awarded the Booker Prize for In a Free State. His works of nonfiction, equally acclaimed, include Among the Believers, Beyond Belief, The Masque of Africa, and a trio of books about India: An Area of Darkness, India: A Wounded Civilization and India: A Million Mutinies Now.

In 1990, V. S. Naipaul received a knighthood for services to literature; in 1993, he was the first recipient of the David Cohen British Literature Prize. He received the Nobel Prize in Literature in 2001. He lived with his wife Nadira and cat Augustus in Wiltshire, and died in 2018.

The Lonely Londoners, an unforgettable account of immigrant experience and one of the great twentieth-century London novels, now in in a stunning Clothbound Classics edition.

At Waterloo Station, hopeful new arrivals from the West Indies step off the boat train, ready to start afresh in 1950s London. There, homesick Moses Aloetta, who has already lived in the city for years, meets Henry 'Sir Galahad' Oliver and shows him the ropes. In this strange, cold and foggy city where the natives can be less than friendly at the sight of a black face, has Galahad met his Waterloo? But the irrepressible newcomer cannot be cast down. He and all the other lonely new Londoners - from shiftless Cap to Tolroy, whose family has descended on him from Jamaica - must try to create a new life for themselves. As pessimistic 'old veteran' Moses watches their attempts, they gradually learn to survive and come to love the heady excitements of London.

THE INSTANT NEW YORK TIMES BESTSELLER  OPRAHS BOOK CLUB PICK  BARACK OBAMA SUMMER READ  MORE THAN ONE MILLION COPIES SOLD!

BEAUTIFUL, PERCEPTIVE, WISTFUL Miranda Cowley Heller
ANN NAPOLITANOS WRITING IS ASTONISHING Marian Keyes
RADIANT AND BRILLIANTLY CRAFTED New York Times

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Best friends and sisters, the four Padavano girls bring loving chaos to their close-knit Italian American neighbourhood. William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So, when he meets the spirited and ambitious Julia Padavano, it's as if the world has lit up around him.

With Julia comes her family: Sylvie, the family's dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. But when darkness from William's past begins to block the light of his future, it is Sylvie, not Julia, who becomes his closest confidante. The result is a catastrophic rift that leaves the family inhabiting two sides of a fault line.

Can they find their way back to each other? Can love make a broken family whole?

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A luminously beautiful novel Observer
I very nearly missed my stop on the train. It was that good Elle
A novel of rare yet classic beauty i Paper
A moving, tender family epic Pandora Sykes

Andrew Motion's prose memoir In the Blood (2006) was widely acclaimed, praised as an act of magical retrieval and a hymn to familial love. Now, over a decade later and after moving to live and work in the United States, Motion looks back once more to recreate a stunning biographical sequel - but this time in verse.

Essex Clay rekindles, expands and gives a tragic resonance to subjects that have haunted the poet throughout his writing life. In the first part, he tells the story of his mother's riding accident, long unconsciousness and slow death; in the second, he remembers the end of his father's life; and in the third, he describes an encounter that deepens the poem's tangled themes of loss and memory and retrieval. Although the prevailing mood of the poem has a sweeping Tennysonian melancholy, its wealth of physical details and its narrative momentum make it as compelling as a fast-paced novel: a settling of accounts which admits that final resolutions are impossible.