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Within small markets for television like Jamaica, where sustaining a show on air is affected by financial and other challenges, remaining on air for a long time becomes a key marker of a television programmes success. Still on Air documents the historical, production and broadcast experiences of some of Jamaicas long-running television shows. Based on interviews with over one hundred television professionals as well as archival searches of television-related content spanning over fifty years, the book provides details on over three hundred programmes produced and aired on free-to-air television stations in the island.

Yvette J. Rowe and Livingston A. White present a framework of seven factors for producing television for small markets and suggest ways in which local television producers can create successful television programmes in limited-resource environments. After exploring other shows with potential for being long-running productions, the authors end discuss trends in television production as well as some possibilities and recommendations that have implications for how television shows are produced in the future.

Still on Air is an important work as it chronicles an aspect of the Jamaican television industry that has never before been given such detailed attention. The experiences are applicable to television producers working in small media markets and the authors offer insight on what is required to produce television programming that is culturally sensitive, affordable and responsive to television audiences.

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This book is the first comprehensive treatment of gender in the works of Samuel Selvon and George Lamming, two important West Indian writers who are rarely analysed together. It demystifies nationalist discourses and discourses of creolization showing that these have masked gender inequalities and complexities in West Indian society, and that the maskings are in turn part of a larger masking of neocolonial threads within nationalism. Forbes situates the fictions of Selvon and Lamming within the wider field of West Indian social thought and practice, and she demonstrates that gender is foundational within West Indian revolutionary action - a fact consistently ignored in mainstream discourses, including feminist ones. These two West Indians' treatments of gender belong to a revolutionary poetics of liberation in West Indian culture but are deeply compromised by the nationalist engagements and the nationalist context of the 1950s-1970s. The unorthodox character of West Indian gender, as seen in Selvon's and Lamming's treatment of it, anticipates and problematizes the concepts of ""postmodernity"" and ""postmodernism"", which have entered West Indian discourse via postcolonial discourse and the work of migration on West Indian theory and criticism. The book concludes by looking towards these discourses that are now playing major roles in West Indian thought. Forbes links West Indian nationalism and the fictions of Selvon and Lamming into a dialogue with the concepts of diasproa, postmodernity and postmodernism, raising the issue of how the latter have impacted on the representation and formation of West Indian gender identities. She then considers the implications of these discourses for West Indian writing, West Indian theory and, above all, West Indian survival and identity in a postmodern, essentially neocolonized world.